Rising out of the jungle on white pillars, the new Preah Vihear Museum’s largest building stands empty. However, Cambodian officials hope that one day it will be the place where nine ancient statues depicting a dramatic battle scene are reunited from around the world.
They came a step closer to that goal last week, when Sotheby’s auction house in New York agreed to return one of the statues to Cambodia, ending a heated legal battle that began when the US government filed a lawsuit last year at Cambodia’s initiative to press for its return.
The decision marks the latest progress in efforts to bring back together the nine figures that once formed a tableau in a tower of the 1,000-year-old Prasat Chen temple. The scene captured a famous duel in Hindu mythology in which the warrior Duryodhana is struck down by his cousin Bhima at the end of a bloody war of succession while seven attendants look on.
Experts say that looters hacked the life-sized sandstone figures off their bases during the country’s brutal civil war in the early 1970s. Some of the statues were apparently smuggled out of the country and eventually wound up in the hands of private collectors or in museums abroad, as did many statues from other temples that the Cambodian government now hopes to reclaim.
The footless figure of Duryodhana, valued at US$2 million to US$3 million, was placed in Sotheby’s auction catalog in 2011 after its former private Belgian owner’s widow gave it up for sale.
Discussions are now under way between the Cambodian government and the Norton Simon Museum in Pasadena, California, about the possibility of returning the statue of Bhima, which has been on display there for over 30 years.
The figures of three onlookers to the duel are now in Cambodia, including two that were returned in June by New York’s Metropolitan Museum of Art. The remaining four are still missing.
The goal of the museum is eventually to recreate the scene as it stood for centuries in the Prasat Chen temple, one of many ruins within the sprawling Koh Ker complex, north of the country’s famous Angkor Wat complex.
Although repatriations of some Cambodian statues began in the 1990s, the high-profile Sotheby’s case has proved a catalyst for much of the recent momentum, said Anne Lemaistre, a UNESCO representative in Cambodia.
The case “has been the red thread that has led us through an incredible scientific adventure,” she said.
A dig last year to gather evidence for that case unearthed the seven pedestals of the onlookers with some of the feet still attached, which archeologists pointed to as evidence of pillaging, she said.
Two of the pedestals matched statues then on display at the Metropolitan Museum of Art in New York. The Met said the statues, called the “Kneeling Attendants,” were given to the museum in pieces by different donors between 1987 and 1992.
Evidence from the temple site convinced the museum’s representatives that the statues had indeed been looted, and the Metropolitian in June returned the two figures, which joined a third statue that had remained in the country.
A 1993 Cambodian law prohibits the removal of cultural artifacts without government permission. Pieces taken after that date have stronger legal standing to compel their new owners abroad to return them. However there is also general agreement in the art world that pieces were acquired illegitimately if they were exported without clear and valid documentation after 1970 — the year of a UN cultural agreement targeting trafficking in antiquities.