A group of museums commemorating China’s violent Cultural Revolution is opening up normally tightly controlled discussion of the chaotic era — but only up to a point.
Businessman Fan Jianchuan (樊建川) has opened six museums about the 10-year period beginning in 1966 when China’s then-leader Mao Zedong (毛澤東) called on ordinary citizens to struggle against entrenched interest groups — including government officials.
The 55-year-old says he has filled six warehouses with artifacts from the period, when young people formed often violent “Red Guard” groups and those labeled as “capitalist roaders” were publicly tortured at mass rallies.
“I see myself as an archeologist of the Cultural Revolution,” Fan, a former government official who made a fortune as a real-estate developer, said in his museum office in the southwestern city of Chengdu.
However, what he calls “political sensitivity” has meant that he keeps the vast majority of his collection hidden from view.
The ruling Chinese Communist Party keeps detailed discussion of the Cultural Revolution out of mainstream Chinese media, worried that an open debate could be used to justify unrest and also undermine its official history of a period it refers to as a “serious setback” for the party.
Mao set the period of lawlessness in motion to boost his authority, previously undermined by the disastrous effort to modernize China known as the “Great Leap Forward,” which led to a famine that killed millions in the late 1950s.
China has never stated estimates of how many died in the decade of political campaigns, which saw citizens turning on their neighbors and caused half a million deaths in 1967 alone, according to US historian Roderick MacFarquhar.
An increase in social discontent over the past 10 years, evidenced by rising numbers of protests, has made Chinese leaders more reluctant to mention the period, said Guobin Yang, a professor at US-based Barnard College.
“I see a tightening of space for discussion of the Cultural Revolution over the last decade, including on the Internet,” he said. “There is a fear that the Cultural Revolution could be a resource for protesters to justify their activities.”
Fan’s collections have seemingly escaped censure by mostly avoiding the violence of the time, and by not using the term “Cultural Revolution.”
Most government-funded museums in China avoid mentioning the period altogether.
China’s National Museum, renovated last year, commemorates the era with a lone photograph and three lines of written text.
“The government’s first concern is with keeping society stable, and they know that it would stir up too much criticism to open a museum about the period,” Fan said. “I think it will take at least another 20 years before we can talk openly about the Cultural Revolution.”
Fan’s museums are part of a growing trend of private museums and galleries being opened in China over the past five years. Of all museums in the country, 13 percent are private, according to the China Daily.
Fan opened his first museum in 2005 in Chengdu and has since expanded to put more of his collection — boasting more than 100 tonnes of documents including 20,000 diaries — on display.
Each has a different theme, such as household objects or Mao pin-badges and clocks. Though most of his exhibits avoid the dark side of the 1966-1976 social experiment, some do address the violence.