Sun, Jul 24, 2005 - Page 4 News List

Near no man's land, artists strive for unity and peace

FEAR OF WAR An artists' installation set near the demilitarized zone between North and South Korea, `DMZ-2005,' attempts to reconcile the divisions between the two

NY TIMES NEWS SERVICE , HEYRI ART VALLEY, SOUTH KOREA

The hill above Heyri Art Valley, an artists' village under construction about four miles south of the demilitarized zone between North and South Korea, is still marked by trenches from the 1950-53 Korean War. In one of these, the Korean artist Cho Duck-hyun has placed resin model heads that suggest the remains of South Korean soldiers excavated from the hillside.

Nearby, a trail of Korean characters in rusted steel traces its way to the top of the hill, where steel panels with cut-out characters -- all part of a sculpture by Lim Ok-sang -- form a poem dedicated to a South Korean spy who was sent to the North in the 1970s and never returned.

The themes of war and partition, here on the world's most fortified border, find further elaboration inside Heyri Art Valley's Jung Han-sook Memorial Hall, where two Swedish artists have installed the mock embassy of Elgaland-Vargaland.

A mythical country

This is a mythical country made up of the frontiers of the world's divided territories. The flag is white with a red zigzag, and the artists offer passports and ministerial positions to anyone who applies.

The installations are part of "DMZ-2005," a month-long exhibition of works by 20 Korean and 20 foreign artists that opened on June 25 to mark the 55th anniversary of the start of the Korean War.

Organized by DMZ-Korea, a nonprofit group founded by Yu Yeon-kim, a New-York based South Korean curator, and financed primarily by the government of Kyonggi province, the artworks explore the ramifications of borders and division around the world, with special attention to Korea.

"I wanted to have artists from around the world come and see the location to discuss and question this boundary," Kim said. "I'm interested in artists having a conversation to rethink and renew the focus on these areas, politically and culturally, from different perspectives."

The Kyonggi authorities supported the exhibition as part of a larger effort to spur development in this region and encourage better inter-Korean relations, in keeping with the South's "sunshine policy" of engagement with the North.

"The DMZ is the result and symbol of confrontation, conflict, division of the country and war," said the province's governor, Sohn Hak-kyu, in an interview after the exhibit's opening ceremony.

symbol of peace

"But we want to change this area of the country into a symbol of peace, reconciliation and unity," he added.

One participating artist, Kang Hong-goo, commented on the unlikelihood of an exhibition at this site.

"Fifteen years ago no one would have dreamed of this place," said Kang, whose black-and-white panoramas of a film set recreating Seoul during the 1910-45 Japanese occupation recall an earlier period of trauma in Korean history. "It's too close to the DMZ. Sometimes I think Koreans have a `fear of war' syndrome."

The limitations of South Korea's reconciliation with the North are reflected in Ham Yang-ah's video of Mount Kumgang, a tourist retreat in the North built by South Korea's Hyundai Group.

The conglomerate's inter-Korean business division, Hyundai Asan, sponsored Ham's trip to the resort, where she shot footage of her nighttime journey to the village from a horse-drawn carriage. The video, titled Tourism in Communism, conveys the claustrophobia of this enclave totally isolated from ordinary life in the North.

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