This year, three of the biggest names in music - Michael Jackson, Madonna and Prince - hit 50. They've each sold millions of records in long careers. But what do their futures hold - and what is the point of a middle-aged pop star?
By Joe Queenan
Rock 'n' roll, unlike jazz, blues, cabaret and classical music, has never figured out what to do with ageing deities. No one told Duke Ellington or Arthur Rubinstein or Lionel Hampton or Andres Segovia to stop playing when they turned 30, 40, 50 or, for that matter, 90. Smoothies such as Tony Bennett retain a strong appeal well into their 80s; they are not thought of as old, but as venerable. Luciano Pavarotti's declining gifts in his autumnal years were graciously overlooked by his adherents out of respect - or perhaps even gratitude - for his youthful triumphs. People knew that he was finished. That was no reason to stop adoring him. As for blues singers, not only does the public not resent their being a bit long in the tooth, they expect them to be old, acting as if BB King and Robert Johnson and Muddy Waters were born brandishing canes and foraging about for their reading glasses.

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