The Mariinsky Theatre Ballet Company has returned to Taipei, seven years after their last tour, to perform “their” ballet, Swan Lake, at the National Theater, starting what will be a packed calendar of shows for ballet fans over the next few months.
Unlike the Mariinsky’s previous four visits, this trip is shorter and restricted to just one ballet, but it is the one fabled troupe is most famous for, and which was created for it in 1895 by Marius Petipa and Lev Ivanov — and tweaked by Konstantin Sergeyev in 1950.
While Peter Ilyich Tchaikovsky’s composition was first used by Julius Reisinger for a production for the Bolshoi Ballet in 1877, it is the Petipa/Ivanov revival — with some changes to the score by the St Petersburg Imperial Theatre’s conductor — that is the best known and has been the basis for productions by other companies in Russia and the West ever since.
Photo courtesy of Natasha Razina / State Academic Mariinsky Theatre
TECHNICAL PRECISION
The Mariinsky’s production has been renowned for generations for the flawless unison of its corps de ballet flock of swans in Act II, with not a leg, arm, or hair out of place.
The company’s version of the tale of a princess turned into a swan by an evil magician has the usual Russian elements — a key role for the court jester and a happy ending with the defeat of the magician Rothbart and Odette and her beloved Prince Siegfried triumphant and ready to live happily ever after.
Photo courtesy of the State Academic Mariinsky Theatre
The Mariinsky has sometimes been criticized for being too efficient and technical, favoring precision over heart, but the company remains the epitome of the famed Russian technique, and that is what people pay to see.
However, unlike the smaller touring Russian companies that make frequent appearances at the National and other stages around Taiwan – such as the St Petersburg Ballet Theatre, which will start its next tour at the National the first weekend of next month, the Mariinsky is not reliant on one prima ballerina dancing the lead in every performance.
The company is big enough and packed with so much talent that is offering three different leading couples, all of whom will be new faces for Taipei audiences, while half the troupe remain at home to perform Romeo and Juliet and La Sylphide this weekend.
Photo courtesy of the State Academic Mariinsky Theatre
First soloist Nadezhda Batoeva and principal Vladimir Shklyarov will open and close the run, tonight and Saturday night, dancing Odette/Odile and Prince Siegfried respectively.
Tomorrow night will be the turn of principals Ekaterina Kondaurova and Timur Askerov, while solists Yekaterina Osmolkina and Alexander Sergeev will headline Saturday’s matinee.
One of the great joys of seeing the Mariinsky dancers perform, besides their exceptionally high level of dancing and the full costumes and sets, is that the troupe is accompanied by the Mariinsky Theatre Symphony Orchestra, led by conductor Alexei Repnikov.
hoto courtesy of Valentin Baranovsky / State Academic Mariinsky Theatre
It is one of the reasons that the ticket prices are so high. The NT$2,800 to NT$4,800 seats sold out long ago, and the remaining tickets run from NT$5,800 to NT$8,800. It costs a lot to transport, house and feed all those dancers, musicians and crew, not to mention the three container loads of sets, costumes and the company’s own ballet floors.
The running time of the three-act Swan Lake is three hours and 15 minutes, including two intermissions.
MORE TO COME
As mentioned above, there are a lot of ballets on the calendar for the next few months by local companies and foreign troupes nationwide.
The St Petersburg Ballet Theatre and its prima ballerina, Irina Kolesnikova, will be at the National Theater for four performances starting Aug. 1, with two performances of La Bayadere, which has only been performed once before in Taiwan – by the American Ballet Theater in 2012 – and two of Swan Lake, before heading to the National Taichung Theater for three more shows of Swan Lake, starting Aug. 9.
The Kaohsiung City Ballet (高雄城市芭蕾舞團) opens a three-city tour of its latest production, Water (水) at the National Kaohsiung Center for the Arts (Weiwuying) on Aug. 3, Rondo Ballet Theater (羅德芭蕾舞團) performs Coppelia in Taipei on Aug. 3 and Aug. 4, while the Formosa Ballet (福爾摩沙芭蕾舞團) starts a five-city tour of About Tchaikovsky in Tainan on Aug. 8.
The Broadway production of An American In Paris, choreographed by contemporary ballet choreographer Christopher Wheeldon opens at the National Taichung Theater on Aug. 20 for an eight-show run.
Finally. the Stuttgart Ballet is bringing John Cranko’s acclaimed Romeo and Juliet to the Weiwuying for two performances on Oct. 26 and Oct. 27.
This story has been corrected since it was first published to show that "La Bayadere" was performed before in Taipei.
Last week Joseph Nye, the well-known China scholar, wrote on the Australian Strategic Policy Institute’s website about how war over Taiwan might be averted. He noted that years ago he was on a team that met with then-president Chen Shui-bian (陳水扁), “whose previous ‘unofficial’ visit to the US had caused a crisis in which China fired missiles into the sea and the US deployed carriers off the coast of Taiwan.” Yes, that’s right, mighty Chen caused that crisis all by himself. Neither the US nor the People’s Republic of China (PRC) exercised any agency. Nye then nostalgically invoked the comical specter
April 15 to April 21 Yang Kui (楊逵) was horrified as he drove past trucks, oxcarts and trolleys loaded with coffins on his way to Tuntzechiao (屯子腳), which he heard had been completely destroyed. The friend he came to check on was safe, but most residents were suffering in the town hit the hardest by the 7.1-magnitude Hsinchu-Taichung Earthquake on April 21, 1935. It remains the deadliest in Taiwan’s recorded history, claiming around 3,300 lives and injuring nearly 12,000. The disaster completely flattened roughly 18,000 houses and damaged countless more. The social activist and
Over the course of former President Ma Ying-jeou’s (馬英九) 11-day trip to China that included a meeting with Chinese Communist Party (CCP) leader Xi Jinping (習近平) a surprising number of people commented that the former president was now “irrelevant.” Upon reflection, it became apparent that these comments were coming from pro-Taiwan, pan-green supporters and they were expressing what they hoped was the case, rather than the reality. Ma’s ideology is so pro-China (read: deep blue) and controversial that many in his own Chinese Nationalist Party (KMT) hope he retires quickly, or at least refrains from speaking on some subjects. Regardless
Approaching her mid-30s, Xiong Yidan reckons that most of her friends are on to their second or even third babies. But Xiong has more than a dozen. There is Lucky, the street dog from Bangkok who jumped into a taxi with her and never left. There is Sophie and Ben, sibling geese, who honk from morning to night. Boop and Pan, both goats, are romantically involved. Dumpling the hedgehog enjoys a belly rub from time to time. The list goes on. Xiong nurtures her brood from her 8,000 square meter farm in Chiang Dao, a mountainous district in northern Thailand’s