The Taipei Art Festival (台北藝術節) celebrates its 20th edition this year with a diverse program of performances, workshops and talks curated by new director Tang Fu-kuen (鄧富權). Assembly (為了 — 在一起) examines future human co-existence, self-determination and probes the complex relationships between individual and society. “Taiwan, oft-admired as Asia’s progressive frontier, is the site from which ‘Assembly’ seeks to reflexively stage ‘social democracy’ and ‘self-determination,’” writes Tang in a statement. The program started last month and will continue through October; be sure to checkout the festival’s THINK BAR section, which features an international repertoire of events including Filipino artist Eisa Jocson’s Macho Dancer, a “transgressive gender-bending performance inspired by a seductive form of dancing performed only by young men in Manila nightclubs.” Korean artist and composer Jaha Koo’s Cuckoo is a critically-charged performance between himself and his artificially intelligent rice cookers. The two-day program of Noise Assembly, the Taipei edition of Asian Meeting Festival, brings together 10 Taiwan-based musicians and 5 Southeast Asian musicians to engage in the idea of an immersive sound forest that encourages an experience of listening together.
■ Event times and venues vary by event, please check Taipei Art Festival Web site for full schedule: www.taipeifestival.org/
■ Until Oct. 21
Photo Courtesy of National Taiwan Museumy
Noisesound Fest (聲波造動) is an exhilarating set of noise performances and archival exhibitions hosted by Taipei’s newly-opened Boven Magazine Library. The library, possessing magazines on design, art, fashion, lifestyle and photography is tucked in the back streets of Taipei’s east area. Boven regularly hosts talks, events and a program of exhibitions in its two-level space. Currently on view is a display of publications, tape cassettes, fliers and other documents that provide “a glimpse of the ephemeral development of local sound artists since the 1990s,” reads the show’s preface. Highlights include rare copies of the legendary sound zine NOISE established by Wang Fu-jui (王福瑞) in the 1993; reprints of fliers and hand-written drafts about experimental sound activities and theories that involved artists Lin Chi-wei (林其蔚), The Zero & Sound Liberation Organization (零與聲音解放組織) and works from Taipei International Post-Industrial Art Festival (台北國際後工業藝術展). The archival presentation offers a generous introduction to the forerunners of the sound scene, the creative climate of the 90s and their ongoing interests in sonic investigations that include “performing with analogy and digital sound medias showing linear and nonlinear, avant-garde and industrial, impromptu and provocative, performing music and sound designs; presenting all the different possibilities of sound design and transfer.”
■ Boven Magazine Library (BOVEN雜誌圖書館), B1, 18, Aly 5, Ln 107, Fuxing S Rd, Taipei City (台北市大安區復興南路一段107巷5弄18號B1), tel: (02) 2778-7526. Open Daily from 12pm to 10pm
■ Until Sunday
Photo Courtesy of Eslite Gallery
Tai Chi-hsien’s (戴吉賢) digital artwork often reflects on how technological progress drives civilization. His most recent video work, Mirage (蜃城), is currently on display at the National Museum of Fine Arts in Taichung, as part of the museum’s selection of digital art proposals for this year. Mirage depicts a cityscape that blends the virtual with memories of the real — a hybrid vision of the world driven by “the insatiable desire of humanity” for spectacle, according to the exhibition preface. Our sense of reality is continually in transition, and urban lives are becoming increasingly accelerated and superficial, says the artist, “no matter how tantalizing the distant neon light is to one’s eye, it is, indeed, little more than the facade of the flashy night.” Personal sentiments of disillusionment and moral musings are revealed in the work through images of silhouetted buildings and urban architecture. The work appears abstract and almost expressionistic and features an overlay of painted white lines and layered nuances of color. While the work offers an allegorical view of the progress of human civilization, it also points towards the future, asking questions such as: “Will the acceleration of our world end in …a state of ‘going out of control’ amid nothing but the switch between cities (computer programs) and digital codes?”
■ National Taiwan Museum of Fine Arts (國立台灣美術館), 2, Wuquan W Rd Sec 1, Taichung City (台中市五權西路一段2號), tel: (04) 2373-3552. Open Tuesdays to Fridays from 9am to 5pm, Saturdays and Sundays from 9am to 6pm.
■ Until Sept. 30
Photo Courtesy of National Taiwan Museum of Fine Arts
Kino Satoshi Solo Exhibition (木野智史瓷器個展) at National Taiwan University Library will close on Sunday. Kino Satoshi is an acclaimed Japanese ceramicist who recently set up a studio in New Taipei City’s Sanjhih District (三芝) to pursue his interest in Taiwanese ceramic art. The originally Kyoto-based artist began working with ceramics at the age of 15 and has since then continually pursued the craft of hand thrown ceramics. Kino has held exhibitions in Tokyo, Kyoto, Osaka, New York and, in 2014, New Taipei City. Every piece of hand thrown clay requires substantial time and labor, says the artist; he is committed to the challenge of exploring the medium to its true potential. Kino’s Sanjhih studio has a custom-built kiln that allows him to experiment with projects of large scale that require great technical knowledge. In this exhibition, the works on view speak to a natural, simple and ideal state of living.
■ National Taiwan University Library (國立臺灣大學圖書館), 1, Roosevelt Rd Sec 4, Taipei City (台北市羅斯福路四段1號), tel: (02) 3366-2326. Open Mondays to Saturdays from 8am to 10pm, Sundays 8am to 5pm.
■ Until Sunday
Photo Courtesy of Taipei Art Festival
Hsia Yan and His Times (夏陽和時代) is a group exhibition of the Ton Fan Art Group and Fifth Moon Group, two pioneering painting associations active since the 1950’s. While The Fifth Moon group was inspired by modernism, both groups grew into a shared interest of integrating influences from the east and west. “Taiwan entered a period of martial law that tightly gripped its people after leaving the 1940s behind, but amidst this repressive atmosphere, art flourished as young and eager minds absorbed an influx of European and American ideas and cultures,” writes the gallery press release. The two groups were instrumental in pushing the boundaries of Taiwanese art and instigating the local modern art movement. Many members of the group travelled to Europe and America to study the culture and ideas that sprouted “on fertile grounds in the free West,” says the gallery. Hsia Yan (夏陽) is one of the founders of Ton Fan Art Group; he grounded his practice in Chinese characteristics and philosophy while exposing himself to different western cultures. His work, Shisui (拾穗), is a reinterpretation of the iconic 19th century painting The Gleaners by Jean-Francois Millet.
■ Eslite Gallery (誠品畫廊), 5F, 11 Songgao Rd, Taipei City (台北市松高路11號5樓), tel: (02) 8789-3388. Open Tuesdays to Sundays from 11am to 7pm
■ Through Aug. 26
Photo Courtesy of Boven Magazine Library
Last week Joseph Nye, the well-known China scholar, wrote on the Australian Strategic Policy Institute’s website about how war over Taiwan might be averted. He noted that years ago he was on a team that met with then-president Chen Shui-bian (陳水扁), “whose previous ‘unofficial’ visit to the US had caused a crisis in which China fired missiles into the sea and the US deployed carriers off the coast of Taiwan.” Yes, that’s right, mighty Chen caused that crisis all by himself. Neither the US nor the People’s Republic of China (PRC) exercised any agency. Nye then nostalgically invoked the comical specter
April 15 to April 21 Yang Kui (楊逵) was horrified as he drove past trucks, oxcarts and trolleys loaded with coffins on his way to Tuntzechiao (屯子腳), which he heard had been completely destroyed. The friend he came to check on was safe, but most residents were suffering in the town hit the hardest by the 7.1-magnitude Hsinchu-Taichung Earthquake on April 21, 1935. It remains the deadliest in Taiwan’s recorded history, claiming around 3,300 lives and injuring nearly 12,000. The disaster completely flattened roughly 18,000 houses and damaged countless more. The social activist and
Over the course of former President Ma Ying-jeou’s (馬英九) 11-day trip to China that included a meeting with Chinese Communist Party (CCP) leader Xi Jinping (習近平) a surprising number of people commented that the former president was now “irrelevant.” Upon reflection, it became apparent that these comments were coming from pro-Taiwan, pan-green supporters and they were expressing what they hoped was the case, rather than the reality. Ma’s ideology is so pro-China (read: deep blue) and controversial that many in his own Chinese Nationalist Party (KMT) hope he retires quickly, or at least refrains from speaking on some subjects. Regardless
Approaching her mid-30s, Xiong Yidan reckons that most of her friends are on to their second or even third babies. But Xiong has more than a dozen. There is Lucky, the street dog from Bangkok who jumped into a taxi with her and never left. There is Sophie and Ben, sibling geese, who honk from morning to night. Boop and Pan, both goats, are romantically involved. Dumpling the hedgehog enjoys a belly rub from time to time. The list goes on. Xiong nurtures her brood from her 8,000 square meter farm in Chiang Dao, a mountainous district in northern Thailand’s