Yilan International Children’s Folklore and Folkgame Festival (宜蘭國際童玩藝術節) is an annual event with traditional folk toys, water games and art shows for children. This year, featured artists include Lin Shuen-Long (林舜龍) — with his jumbo-sized boat in the form of a coconut — and Takahide Mizuuchi the “rainbow-maker,” who rigs up a hose and sprinkler system to create intense rainbows every day at a scheduled time. The main exhibition is the Hopping Village Picture Book Museum, a fully illustrated world that children can enter and explore as a storybook character. For a full list of events, visit www.yicfff.tw/2014/
■ Dongshan River Water Park (冬山河親水公園), 2, Chinhe Rd Sec 2, Yilan County (宜蘭市復興路2段101號), tel: (03) 9600-322. Daily from 9am to 7pm, General admission: NT$350, children’s admission: NT$250
■ Opens tomorrow. Until August 24
Photo courtesy of Eslite Gallery
Figure Babel is a solo show by Patricia Preze Eustaquio, a leading Filipino artist. Born in Manila in 1977, Eustaquio is acclaimed for her sculptures of lace and felt, as well as for paintings that magnify overlooked yet telling details in old paintings, such as a dead bird. For her Taipei exhibition, Eustaquio brings blueprints for flowers, trees and other various objects that are effectively concealed by abstract geometric shapes. The pieces embody the consumer market’s craving for both the physical and spiritual, both minimalism and excess — contrasting desires that result in an incoherent cry similar to the fallen people of Babel. In the Biblical story, the people of Babel once spoke a common language, but were punished with mutually incomprehensible languages after aspiring to build a tower that stretched to the sky.
■ Mind Set Art Center (安卓藝術), 16-1, Xinsheng S Rd Sec 3, Taipei City (台北市新生南路三段16-1號), tel: (02) 2365-6008. Open Tuesdays to Sunday from 2pm to 6pm, or by appointment
■ Until August 2
Photo courtesy of Mind Set Art Center
‘Whomen:’ In the Name of Asian Female Artists (以亞洲女性藝術之名) is a 48-artist exhibition marking the 20th anniversary of the Kaohsiung Museum of Fine Arts (高雄市立美術館). It’s a showcase of paintings, sculptures, films and installations that consider the relationship between women and the home. Some works — like a sturdy greenhouse filled with roses — depict the home as a comfortable and uncomplicated space, but in most the picture is ambivalent.
■ Kaohsiung Museum of Fine Arts, 80 Meishuguan Rd, Greater Kaohsiung (高雄市美術館路80號), tel: (07) 555-0331. Open Tuesdays to Sundays from 9am to 5pm
■ Until Sept. 28
Snuggle (依偎) is Taipei-born Sanssouci Horng’s (洪莫愁) solo exhibition about the secret language of legs. “The legs are simple and allow fewer gestures than hands … they are the honest reflection of their master,” writes Horng in the gallery notes. In a series of loud pop-art pieces, she presents legs that intimate loneliness, shyness, flirting, anger and love. Horng is a doctoral graduate of the Universite Paris-Sorbonne and a contemporary painter and printmaker based in Taiwan.
■ National Chiang Kai-shek Memorial Hall (國立中正紀念堂), tel: (02) 2343-1100. Open Tuesdays to Sundays from 9am to 6pm
■ Until July 13
Curated by Nobuo Takamori, The Lost Garden presents five rising Taiwanese artists who work with artifacts of personal and national history. Works include Chen Po-i’s (陳伯義) acclaimed photography series on the razed Hongmaogang (紅毛港) fishing village, and Lin Shu-kai’s (林書楷) miniature cities built with die-cast models from his father’s defunct factory. Lee Jo-mei (李若玫) films a family trip to Okinawa, Japan to visit the home of their ancestors and constructs the footage into a lyrical installation about people trying to close the gap between history and memory.
■ Eslite Gallery (誠品畫廊), 5F, 11 Songgao Rd, Taipei (台北市松高路11號5樓), tel: (02) 8789-3388 X1588. Open Tuesdays to Sundays from 11am to 7pm
■ Opens tomorrow. Aug. 10
Tasteful Life (情韻) is intricately painted pottery by Greater Kaohsiung native Yu Shan-fu (游善富). An ink-wash painter by trade, Yu began adapting his art for a new medium in 2010, transferring his elaborate street scenes and people in different walks of life to earthen pots.
■ Yingge Ceramics Museum (鶯歌陶瓷博物館), 200 Wenhua Rd, New Taipei City (新北市文化路200號), tel: (02) 8677-2727, open Mondays to Fridays from 9:30am to 5pm, Saturdays and Sundays from 9:30am to 6pm, closed first Monday of the month. Free admission
■ Until July 20
A few weeks ago I found myself at a Family Mart talking with the morning shift worker there, who has become my coffee guy. Both of us were in a funk over the “unseasonable” warm weather, a state of mind known as “solastalgia” — distress produced by environmental change. In fact, the weather was not that out of the ordinary in boiling Central Taiwan, and likely cooler than the temperatures we will experience in the near-future. According to the Taiwan Adaptation Platform, between 1957 and 2006, summer lengthened by 27.8 days, while winter shrunk by 29.7 days. Winter is not
Taiwan’s post-World War II architecture, “practical, cheap and temporary,” not to mention “rather forgettable.” This was a characterization recently given by Taiwan-based historian John Ross on his Formosa Files podcast. Yet the 1960s and 1970s were, in fact, the period of Taiwan’s foundational building boom, which, to a great extent, defined the look of Taiwan’s cities, determining the way denizens live today. During this period, functionalist concrete blocks and Chinese nostalgia gave way to new interpretations of modernism, large planned communities and high-rise skyscrapers. It is currently the subject of a new exhibition at the Taipei Fine Arts Museum, Modern
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In recent years, Slovakia has been seen as a highly democratic and Western-oriented Central European country. This image was reinforced by the election of the country’s first female president in 2019, efforts to provide extensive assistance to Ukraine and the strengthening of relations with Taiwan, all of which strengthened Slovakia’s position within the European Union. However, the latest developments in the country suggest that the situation is changing rapidly. As such, the presidential elections to be held on March 23 will be an indicator of whether Slovakia remains in the Western sphere of influence or moves eastward, notably towards Russia and