Once touring wraps around May, the band will get back to work on the next album, for which writing has already begun. At this point in his lengthy career, it would be easy for Zombie to write the record he knows the fans want. But that’s yet another one-way ticket to the bone yard. Unless you’re AC/DC, you either move forward or die. He’s taken chances before, as evidenced on albums like Educated Horses. That record had the usual chugging, simplistic heavy metal riffs and evil synth-driven industrial hallmarks of his groove-laden signature sound. But it also delved into eerie acoustics, blues and glam rock. He’s spent a lifetime looking for that combination of everyman punk ferocity and arena rock untouchable. It would be understandable if he chose to rest on his legacy and ride off into the Hollywood eve, but it’s far more difficult and ultimately worthwhile to trust that the ledge you’re about to throw yourself off of won’t be the one that kills you.
“It’s a tricky thing where you know what the audience wants, but you can’t give them what they want. You have to give them the next thing because they can only base what they want on what you’ve already done. But if you give them what they want, then they’ll get bored with you. So when we’re writing songs basically it’s just my gut reaction. It’s the only thing I can go by.”