S ometimes it takes living overseas to really see what your homeland is like. What makes it different from other places — what defines it — can sometimes be viewed more clearly from the outside. Musician and new author Jonathan Hemmings has had this opportunity to get perspective, having lived in Taiwan three times since 2004.
Based in Greater Kaohsiung, Hemmings — a self-described workaholic — completed two novels while also drumming in popular hard-rock band Liger Attack and teaching during the day.
He leaves Taiwan this month, and so this Saturday will be Liger Attack’s last show. The concert takes place at an after-party following the book release of The Night Adders and Panthera, which will feature selected readings by the author and acoustic performances by Seamas Manly, Allison Campbell, Jason Angle and Liger Attack.
Novels of Home
The Night Adders is a semi-autobiographical, dark coming-of-age story revolving around themes “that have been inextricably interwoven into the tapestry of my life as a young South African who grew up in a time that was characterized by both the death of Apartheid and the birth of freedom and democracy,” Hemmings said.
“All of the events in the novel, while fictitious, are informed by my experiences and personal observations: violence, entrenched racism, extremes of poverty and wealth, wanton destruction, teenage rebellion, a crisis of identity, isolation. But these are also tempered by more positive threads: young love, friendship, courage, and sacrifice to do what is right.”
Hemmings immerses the reader into the sights, sounds, and tensions of modern-day South Africa. Through the eyes of his young Tristan, we experience the pressure of the times as they encompass a young boy coming of age in a violent and turbulent period in history.
Living in Taiwan, I met many South Africans, and tales of their homeland and its everyday dangers seem shocking to those of us from such peaceful (at least in the modern day) places as Taiwan or North America.
Though based in the same area as The Night Adders — Hemming’s homeland of KwaZulu-Natal, “a wild land of majestic beauty” — the second novel is a vastly different tale. Set in the countryside, Panthera explores the turns an illiterate 80-year-old Zulu farmworker’s life takes after encountering a werewolf (or were-leopard).
“I’ve spent a fair bit of time in Zululand, and have visited the sites of several famous battlefields,” Hemmings said.
“There’s a feeling I get when I’m in the wild country, looking out over the acacia trees, the snaking rivers and jutting mountains, with that red earth beneath my feet — the earth of that land will always run thick in my blood,” he said.
Themes in the novel are echoed in Hemmings’ blog The Mastications of Trapjaw: “the illegal wildlife trade, the decimation of the wilds for profit, the massively environmentally destructive Chinese ‘new colonialism’ into Africa [and] money trumping environmentalism.”
Panthera forms the groundwork for a series of books Hemming is working on called Tooth, Claw and Steel, which is about “animal-shifting immortals, and a decidedly evil corporation hell-bent on exterminating these creatures from existence,” he said.
Bypassing the publisher
The decision to choose e-publishing is one that is becoming more acceptable in this age of e-readers and self-branding. Authors are following in the footsteps of many bands who have decided to retain both creative and financial control over their works.