Like Christmas Eve, New Year’s Eve this year both falls on that most dreaded of days — Monday — so this four-day weekend starts off today with a hugely heartfelt TGIF! After many had to work last Saturday to make up for the holiday, and most of us little elves also worked both Christmas Eve and Christmas Day this past week, it’s time for some much deserved R&R for live music aficionados — not rest and relaxation, but rock ‘n’ roll.
Indie sensation Forests (森林合唱樂團) performs at both The Wall and Revolver Monday night, with a host of other great bands at each show. Guitarist and vocalist Jon Du (杜澤威) is a riot to watch, and he, along with bassist Tseng Kuo-hung (曾國宏) and drummer Lo Zun-long (羅尊龍) form a tight trio with a very loud, lo-fi, distorted sound. Though off-stage they appear quite low key and preppy, on stage they are more lit up than a Christmas tree.
The vocals come across as an extra instrument than as a vehicle for meaning, though they are catchy enough to have people attempting to sing along, even if it’s with a series of grunts and whoa, whoa, whoas rather than discernible words. The band takes the audience on a joyride through both the deep dark shadows and the sunny meadows of their Forests and have a high energy, ramped-up stage presence that is sure to rile up the thrashers on the dance floor as well as the rock and rollers.
Photo courtesy of squids
Forests will be joined at the Wall by a coven of 13 other bands playing alternative, indie, ska and punk, and includes White Eyes, Sleaze, Macbeth, Mary Bites Kelly and Sunset Rollercoaster for a night of live music that is a steal at NT$500. There will also be DJs playing until dawn with DJ Sonia, DJ Sandoz Fan, DJ Zo, and DJ BunjiBeat.
* Doors open at 7:30pm with bands from 8pm Monday at The Wall (這牆), B1, 200, Roosevelt Rd Sec 4, Taipei City (台北市羅斯福路四段200號B1). Admission is NT$500.
Forests will also play at Revolver, one of this year’s best live music houses in Taipei, on New Year’s Eve. The club will continue its weekly Wednesday and Thursday band nights in addition to weekend music events and the monthly Sit Down and Shut the Fuck Up semi-open-mic. (The first one of the new year arrives on Thursday; bands and solo artists have to sign up in advance to play.) Forests recorded its first live album in Revolver because the musicians were allowed to play as loud as they wanted. Joining them are popular Ween tribute group Skycruiser, reformed and playing gigs while lead singer Toby Garrod is in town for the holidays, with an expanded retinue of Ween classics that are sure to get the dance floor hoppin.
Photo: Alita Rickards, Taipei Times
Roxymoron, a band with a rock-and-roll alternative sound given a kick in the dancepants by the underlying disco beat that provides the backbone for many of the group’s songs, will also play. Funky Brothers and DJs @llenblow and Shorty round out the entertainment that will surely continue well into the New Year as many nights here end up going hard til dawn.
* Bands take the stage from 10pm, Revolver, 1-2, Roosevelt Rd Sec 1, Taipei City (台北市羅斯福路一段1-2號). Admission is NT$500 and includes two drinks.
Taichung has a New Year’s Eve concert at Taiwan Architecture, Design and Art Center (設計與建築展演中心, TADA) with Taiwan indie veterans Tizzy Bac along with a line up of bands that includes Inhuman Band, Tomodachi, BB Bomb and Trash for a night that will range from punk and alternative to indie pop with alcoholic and non-alcoholic beverages included in the ticket price. Guests will receive a drink cup at the door upon entry — but don’t lose it as it can’t be replaced.
Photo courtesy of skycruiser
* From 2pm tomorrow at Taiwan Architecture, Design and Art Center (設計與建築展演中心, TADA), B11 Auditorium, 362, Fuhsing Rd Sec 3, Taichung City (台中市復興路三段362號). Tickets are NT$1,020 and are available at 7-11 iBon machines or online at: www.walkieticket.com.
On Jan. 5, Squids will play their final Taipei show at Underground with electro-rockers Kid Millionaire. Squids began as a duo around four years ago with Campbell Burns on vocals, guitar and percussion, and Eddie Chow on keys and samples, but has grown to include Simon Wallace on bass and Angus Cruikshank on drums. The group plays catchy electro-indie-rock: “Live drums, synths, dirty bass and vocals was the blueprint,” Burns said. He added that fronting the band has left him with “permanent damage to my right ear, shredded hands, a lot of fun shows and a few decent hangovers,” he said.
With Cruikshank leaving to travel, the band will go on hiatus. “At the moment he seems pretty irreplaceable but we’ll see,” Burns said. “If there are any kick ass drummers reading this then hook me up!”
* 9pm at Underworld (地下社會), B1, 45 Shida Rd, Taipei City (台北市師大路45號B1). Admission is NT$300 and includes one drink.
A few weeks ago I found myself at a Family Mart talking with the morning shift worker there, who has become my coffee guy. Both of us were in a funk over the “unseasonable” warm weather, a state of mind known as “solastalgia” — distress produced by environmental change. In fact, the weather was not that out of the ordinary in boiling Central Taiwan, and likely cooler than the temperatures we will experience in the near-future. According to the Taiwan Adaptation Platform, between 1957 and 2006, summer lengthened by 27.8 days, while winter shrunk by 29.7 days. Winter is not
Taiwan’s post-World War II architecture, “practical, cheap and temporary,” not to mention “rather forgettable.” This was a characterization recently given by Taiwan-based historian John Ross on his Formosa Files podcast. Yet the 1960s and 1970s were, in fact, the period of Taiwan’s foundational building boom, which, to a great extent, defined the look of Taiwan’s cities, determining the way denizens live today. During this period, functionalist concrete blocks and Chinese nostalgia gave way to new interpretations of modernism, large planned communities and high-rise skyscrapers. It is currently the subject of a new exhibition at the Taipei Fine Arts Museum, Modern
March 25 to March 31 A 56-year-old Wu Li Yu-ke (吳李玉哥) was straightening out her artist son’s piles of drawings when she inadvertently flipped one over, revealing the blank backside of the paper. Absent-mindedly, she picked up a pencil and recalled how she used to sketch embroidery designs for her clothing business. Without clients and budget or labor constraints to worry about, Wu Li drew freely whatever image came to her mind. With much more free time now that her son had found a job, she found herself missing her home village in China, where she
In recent years, Slovakia has been seen as a highly democratic and Western-oriented Central European country. This image was reinforced by the election of the country’s first female president in 2019, efforts to provide extensive assistance to Ukraine and the strengthening of relations with Taiwan, all of which strengthened Slovakia’s position within the European Union. However, the latest developments in the country suggest that the situation is changing rapidly. As such, the presidential elections to be held on March 23 will be an indicator of whether Slovakia remains in the Western sphere of influence or moves eastward, notably towards Russia and