The story of King Wu Ding (武丁) and Lady Hao (婦好), who ruled the Shang dynasty at its height, had long been the stuff of legend, part of a corpus of works about good rulers embodying the virtues of the ruling class. They were moral exemplars, and their existence was dismissed as mythology by serious academics. This idealized couple came roaring back into the pages of real history following large-scale archaeological excavations in 1928 by the Institute of History and Philology of Academia Sinica (中央研究院歷史語言研究所) at the site of the former capital of the Shang dynasty at modern-day Anyang (安陽), Henan Province.
These excavations proved conclusively that the Shang Dynasty was a fact of history, and suggested that King Wu Ding might be a bit more than just a figure from a mythical golden age. Discovery followed on discovery and the Shang dynasty began to acquire greater historical detail, culminating in 1976 when the Institute of Archaeology at the Chinese Academy of Social Sciences (中國社會科學院考古研究所) made the remarkable discovery of the undisturbed tomb of Wu Ding’s fascinating consort, Lady Hao, at a palace in modern Xiaotun (小屯).
Many of the artifacts from the earlier excavations were brought over to Taiwan and are in the collection of the Academia Sinica in Taipei, while the rich finds of the later excavations remain in China. King Wu Ding and Lady Hao — Art and Culture of the Late Shang Dynasty (商王武丁與后婦好 ─ 殷商盛世文化藝術) represents the bringing together of artifacts from these two related finds (along with a few bits and pieces from other sources), long separated by later historical developments, and a rounding off of a fascinating story of courtly life in China more than 3,000 years ago.
The exhibition organized by City x Culture (雙瑩文創) in coordination with the National Palace Museum, presents a stunning collection of artifacts, from bronze cleaning utensils (a dust pan, identical in shape and function to the plastic versions that can be found at any dollar shop in Taipei is a personal highlight), to highly ornamented ritual vessels, as well as a quantity of oracle bones, used during the Shang for divination, and the earliest examples of the Chinese script, that has continued in an unbroken line of development to the present day.
The oracle bones are some of the most valuable artifacts in existence in the study of early society in China. They are, in fact, not much to look at, and more than anything else, they are a testament to the efforts of scholars who have been able to make sense of the faint etchings on turtle shells and animal bones. The work, closely related to cryptography, has revealed the things that the rulers of Shang felt were important. War and weather rang high in these concerns, but it is also touching to find a question regarding Lady Hao’s toothache. It is this sort of detail that brings the exhibition to life, but the predominant tone of the exhibition is one of exaggerated scholarly reserve.
Lady Hao by all accounts was a most remarkable woman, if the stories are to be believed, taking the role of a war leader against invaders at a time when her royal master was indisposed. Regular references to her on the oracle bones, one of the highest instruments of policy-making in the Shang, reinforce legendary tales of her as a woman of significant resource and power. Vessels of cast bronze with intricate designs and ornaments with turquoise inlay testify to the high level of craftsmanship that had been achieved at the time, and point to a history of aesthetic development dating from a much earlier period.