An attempt to show support for live music last week by attending Revolver’s Thursday band night ended well when I headed to the bar for a happy hour pint (NT$50 for beer and wine 8pm to 10pm weeknights) and recognized a blast from the past, still ripping it up in 2012.
Mitch Harris, the guitar player of Napalm Death, was standing at the bar.
An impromptu interview led to drinking with band members, Masquerader and Revilement until the wee hours Thursday, but that didn’t hinder the show at The Wall Friday night: It was so authentically hardcore, so passionate and aggressive and driven that it inspired obsessive stage-diving, with one avid Russian fan spending more time with his red high-tops in the air than on the floor.
Photo Courtesy of Alita Rickards
Though Napalm Death are a bit like Washington’s ax (none of the original members are still in the group), Harris and vocalist Mark “Barney” Greenway have been with the band since 1989.
This was their first time in Taiwan and Greenway said repeatedly during the show that they planned on returning soon. The set included classics and new songs, and an extended encore. The crowd went wild to his anti-theist proclamation prior to The Wolf I Feed: “You’ve heard of freedom of religion?” said Greenway. “How about freedom from religion!”
Members of the band returned to Revolver after the show. So, with other fans and friends and band members we drank until dawn again. Ah, the smell of Napalm Death in the morning. This is why music reporters put up with low pay, late hours, smoky bars, beer-stained shoes hangovers, and encroaching deafness.
■ The Wall (這牆) is located at B1, 200, Roosevelt Rd Sec 4, Taipei City (台北市羅斯福路四段200號B1), and Revolver is at 1-2, Roosevelt Rd Sec 1, Taipei City (台北市羅斯福路一段1-2號).
Taylor Briere’s band Luxury Apartments and punk act Floaty debuted at the Treellage stage Aug 24. It’s a nice space, reminiscent of North American west coast cafe culture (though it would fit the eco-vibe better if the interior was decorated with drift wood and not stripped young green trees).
Both of these front men are well versed in music and know their genres: Luxury Apartments blends 90s sensibilities into a sound with a narcotic, hypnotizing quality that brings on a high of its own: heroin music by and for people who don’t actually do heroin.
Floaty creates a great mosh up of punk flavors — that’s mosh up, not mash up, because it’s pure old-school punk, not techno-electro. The group’s namesake, a long-time resident DJ at Underworld, is known for playing a wide-range of alternative music and has managed to create an original and engaging sound from a suitcase of influences. He has a wry onstage humor that invites the audience in, and rocks the best “guyliner” in Taipei.
Floaty himself is also the only permanent member of the trio at this point and is now looking for a new bass player and drummer, which hasn’t stopped him from booking shows. This month Roxymoron and OCD Girl’s John Stephenson will be filling in on drums until Floaty finds a replacement. Check out the group with Roxymoron at Underworld on Sept. 29 (rumor has it Floaty will release a new EP).
■ Treellage Stage is near Yuanshan MRT at 33 Minzu W Rd, Taipei City (台北市大同區民族西路33號).
Floaty and Roxymoron play 9pm Saturday, Sept. 29 at Underworld (地下社會), B1, 45 Shida Rd, Taipei City (台北市師大路45號B1). Admission is NT$300.
There’s grrl power galore tonight at Riverside with White Eyes, Go Chic, and electro-pop trio The Girl and The Robots. It’s a chance to see Go Chic while they are in town and still playing small gigs; the band is gaining acclaim at international festivals including SXSW, Summer Sonic, and Fuji Rock. Their second album features production by electro artist Peaches who invited the band to her studio in Berlin.
■ Doors open at 7:30pm. Riverside Live House (河岸留言西門紅樓展演館), 177 Xining S Rd, Taipei City (台北市西寧南路177號). Admission is NT$400; presale at venue, buy four tickets and get one free.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
Peter Brighton was amazed when he found the giant jackfruit. He had been watching it grow on his farm in far north Queensland, and when it came time to pick it from the tree, it was so heavy it needed two people to do the job. “I was surprised when we cut it off and felt how heavy it was,” he says. “I grabbed it and my wife cut it — couldn’t do it by myself, it took two of us.” Weighing in at 45 kilograms, it is the heaviest jackfruit that Brighton has ever grown on his tropical fruit farm, located