Music collective The Blast popped up seven months ago and besides pushing hip-hop on its blog and Facebook group, the outfit has since thrown more than 20 events, put out an EP, a mixtape, a magazine, four music videos, a line of T-shirts and launched a DJ school called Blast University. A few weeks ago, the group brought over Beat Junkies DJ Icy Ice. Tomorrow it’s the turn of Canadian DJ and producer Agile (real-name Ajene Griffith), who will play at Marquee in Taipei.
Agile’s skills landed him in the studio with American rapper Nas, and together they produced the song Heaven, which was featured on Nas’ sixth album, God’s Son. This was followed by a tour with Snoop Dogg in 2003.
“It’s a weird moment when you have someone’s records on your wall, and then in a flash you’re working with them,” said Agile on collaborating with Nas. “It was something out of the movies. They sent me first-class tickets, had a limo driver holding my name for me at the airport, and took me off to the studio to work with Nas for three days.”
Photo Courtesy of Jalani Morgan
Even though the hip-hop scene in Taipei is relatively quiet when compared to the gigs he normally plays, Agile says he is pumped about tomorrow’s show and is looking forward to developing his guanxi (關係, personal contacts).
“Many places throughout Asia celebrate all the elements of hip-hop, something that is sometimes lost ... in America,” he said. “I also like that it’s not just about club anthems in the music scene. Skills mean something, which is refreshing.”
Agile’s style was once strictly hip-hop and R ’n’ B. But like many other artists, his sound has evolved and he has embraced the digital revolution.
Photo Courtesy of Rob Tek/leo Shia
“Hip-hop is where my heart will always be, but as a DJ I am more interested in making sure people are losing their minds on the dance floor,” he said. “The iPod changed everything. It changed how we listen and consume music. Deejaying in the era of iPods, the Internet and podcasts, most people have wider ranges in their musical tastes. Most DJs have adapted to that, myself included.”
Every Wednesday at Marquee, The Blast hosts an open-format party.
“We run the gamut,” says Leo Shia, whose performance moniker is Leo37.
“You can go into any club in the city on a Wednesday night and I would argue that 90 percent of them will have the exact same playlist, just in a different order,” he said. “That’s not a diss. I have no problem with Top 40/dance music, but there needs to be a balance. That’s what we offer. Variety in genre, era and artists played on three turntables by DJs who love good music.”
But hip-hop is still their main squeeze, so the collective brings in international artists like Agile.
“The hip-hop scene here is ‘still growing’ as I would like to say, and this motivates me to stay out here and help push hip-hop culture on this side of the globe,” said Blast crew member Timothy Torres, who performs as Oohchild.
“You would never call us a promotional team,” said Leo37. “We’re more like Ocean’s Eleven in the sense that everyone plays a very specific but different role from one another and in doing so, we dabble in everything.”
“We each have our own areas of expertise and that type of diversity is healthy. Someone like Vicar comes with a classic vibe, Leo brings his handsome boy modeling looks, and Serpico is our token white friend to make us look like we are cultured.”
Poppa BaeR completes The Blast lineup.
The group’s members refer to themselves as “an international crew of DJs, MCs, producers, artists, movers, shakers, and influential minds.”
Agile performs tomorrow night at Marquee, 16-1 Xinyi Rd Sec 5, Taipei City (台北市信義路五段16-1號). From 9:30pm to 3am. Entrance is NT$500 for men, which includes a drink, and free all night for ladies.
The Blast weekly party takes place every Wednesday at Marquee from 10pm to 3am. Admission is free. For reservations, call (02) 2729-5409.
■ On the Net: www.theblast-blog.com
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
Peter Brighton was amazed when he found the giant jackfruit. He had been watching it grow on his farm in far north Queensland, and when it came time to pick it from the tree, it was so heavy it needed two people to do the job. “I was surprised when we cut it off and felt how heavy it was,” he says. “I grabbed it and my wife cut it — couldn’t do it by myself, it took two of us.” Weighing in at 45 kilograms, it is the heaviest jackfruit that Brighton has ever grown on his tropical fruit farm, located