Spring Scream cofounder Jimi Moe’s greatest hope for the festival, now in its 18th year, is that music fans “come ready to play.”
“Bring costumes, your best freak clothes, cosplay, a hockey uniform,” he said. “This is not another day at the office or at home on your couch. Get into the skin of your alter ego.”
But he’d also like you to bring your own water bottle and a sense of environmental responsibility.
Photo: Steven Vigar and Garret Clarke
“Green is a funny thing,” said Moe in response to an interview question about the eco-friendly behavior the music festival is promoting this year. “It’s always good to try to live better and make wise choices — if everyone makes wise choices, then companies that make decisions will be encouraged to give us wise options.”
Spring Scream draws crowds of between 6,000 to 8,000 people to the south of Taiwan each year to hear about 200 bands perform. This year, performances start at noon on Wednesday and end at 9:30pm on Sunday, with a band and DJ stage set up in the campground during the week. Four more band stages and one more DJ stage will be added to the site in Oluanpi Lighthouse National Park (鵝鑾鼻燈塔公園) for the weekend.
Last year food stalls were banned from using plastic plates and bags, and “factory-consumer-produced items” (like drink boxes) to try to cut down on the amount of waste. The policy was expanded upon this year with the provision of “real ceramic plates to dine on and give back to someone else to wash,” said Moe. “[The aim is] to improve the campground dining experience, and get away from the ease of the disposable, so you feel like you are doing your part just by throwing garbage away.”
Photo: Steven Vigar and Garret Clarke
There is also a reusable food container and chopstick set engraved with the Spring Scream logo, which is available for sale on the festival’s Web site (www.springscream.com), and a food-scrap composting area.
Moe is wary of green-washing or trying to appear green by making surface changes.
“The real issue,” he said, “is trying to do better to remind people to do better with us collectively, in part by asking people [via the Web site] to make an effort to take public transport to the event or at least carpool.”
Photo: Steven Vigar and Garret Clarke
Festivalgoers are encouraged to reject handbills and flyers (or read them and give them back) and take advantage of the free on-site WiFi and 3G Internet connection to check band schedules online and reduce paper waste.
The showers at the campground are heated with solar panels, and the dining and Urban Nomad film-screening area was built out of found driftwood (see story on the upcoming Urban Nomad film festival in next Friday’s edition of Around Town).
The campground, a lovely grassy area encircled by trees, is also the entrance to the event, with most of the food stalls set up inside. Moe’s favorite part of the festival takes place after hours within the camping area when a mic is set up and people are encouraged to join a story-time spoken-word session.
Photo: Steven Vigar and Garret Clarke
“So much [of the festival] is high intensity,” he said. “So many bands to see and people to talk to. I enjoy the occasional slow times to see people, give a few hugs and have short conversations, hear about what I missed during the day or last year and see things through their eyes. My only hang-out time is after the music stops and in the early morning before the regime starts again.”
In past years, the live music festival (which ends nightly at 1am) has been lumped together in news stories with the all-night raves that have sprung up around Kenting.
“We try the best we can to be positive,” Moe said, “but it is the responsibility of the media to have a truthful portrayal. [This is] the standard we hold them to, so it’s embarrassing to see mistakes.”
Photo: Steven Vigar and Garret Clarke
To make the event more family friendly, plans to create a children’s stage in the campground are in the works for next year, especially since both the founders have young daughters who love to get up onstage to jam. Musicians often sit around later in the evenings having impromptu acoustic jam sessions with friends and fellow performers.
The way bands are selected has changed over the past few years. With 560 applications to narrow down to 200 acts, Moe and cofounder Wade Davis use a combination of online votes from ticket holders for the bands they want to see, and a panel of “eight passionate people listening to bands for originality, cohesion, tuning, [and whether] the demo is in time.”
Moe’s advice for applicants is to “send a demo with your two very best songs, not a demo full of okay songs. Fun videos really help. If a band has a video of a good live show it’s really worthy of taking a second look. The nice thing about filming is you can see the effort the band puts into their show. Do they come up with a visual experience? What do they do between songs? [Do they] make a show, not just have a glorified band practice onstage, but make an event? The tricks and gimmicks of showmanship are actually an art and a skill.”
Photo: Steven Vigar and Garret Clarke
Davis has dressed up in a plethora of costumes over the years with two of the bands he is in, .22 and Dr Reniculous Lipz and the Skallyunz, and puts on a high-energy performance with his third band, Aurora. (See page 15 for 20 band picks and The Vinyl Word column for dance music.)
“It’s fun to watch a band having fun,” said Moe. “We leave our bodies and join them, it’s a Mardi Gras fun-fest — an out-of-body experience in a way — where we lose ourselves and soak up the passion.”
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su