Wed, Dec 21, 2011 - Page 13 News List

Lolita style: cutesy with a dark edge

Taking its name from the title of Vladimir Nabokov’s novel about obsession, Lolita style embodies the childhood world of fairy tales, but with a hint of sexuality

By HARUMI OZAWA  /  AFP, TOKYO,

Models display creations designed by students of Japan’s Vantan design school at their fashion show in Tokyo on Oct. 22.

Photo: AFP

Outlandish pannier skirts with layers of frilly lace; teenage girls with larger-than-life make-up; a dash of sexuality and lashings of Victoriana are the order of the day for Japan’s Lolita girls.

What began as a street fashion two decades ago as youngsters aped the doll-like European styles of the baroque has morphed into a near mainstream movement, with dozens of offshoots.

Popular Lolita models such as Misako Aoki were big hits at this autumn’s Japan Fashion Week, showing off white parasols and pastel pink puff sleeves with high-laced boots, tiny top hats and huge ribbons.

“This is definitely one of the latest trends in Japan’s fashion world,” said Akiko Shinoda, a director for the Japan Fashion Week Organisation, adding Lolitas appeared for the first time last year at the biannual show. “I think it will survive as one distinct category in Japan.”

Taking its name from the title of Vladimir Nabokov’s novel about a middle-aged man’s sexual obsession with a 12-year-old girl, Lolita style embodies the childhood world of fairytales and comic-book fantasy.

Over the past 20 years, it has developed and splintered into a broad range of subdivisions, taking on elements of the gothic — from black roses and coffin jewelry — to the pseudo-holy, with some girls sporting crucifixes.

One young woman in Tokyo’s Lolita heartland of Harajuku, who gave her name only as Mina, introduced herself as wearing “black Lolita, which is a little different from the orthodox Lolita.”

Mina, in her late teens, said black Lolita is a mix of “sweet Lolita” — a style that makes heavy use of furs, including stuffed animals and fake rabbit ears — and “gothic Lolita,” which employs black ribbons, lace, pearls and satin, while maintaining the Lolita basic of large skirts.

“There is also classical Lolita, which is more mature looking,” she said.

One thing all Lolita styles have in common is the distinct hint of sexuality and burlesque.

“Japanese girls love cute things, but they also love things that are slightly disturbing,” said designer Maiko Fujii, standing next to a girl modeling her interpretation of Snow White, decked out in gothic Lolita lingerie.

“I think girls sometimes get enthralled by something forbidden, something ghastly,” she said.

Fujii, who studies the Lolita style at Tokyo-based Vantan design school, dressed her Snow White in a camisole with dark red chiffon and black knee-high stockings.

Fujii said she found Snow White a perfect subject for her slightly disturbing Lolita image after “discovering in the fairy tale that she was supposed to be only 12 or so when she married the prince.”

Satomi Tsuchiya, 20, a school friend of Fujii, said: “I think we want to show somehow that we are not just cute.”

Norinao Tanaka, associate professor of fashion sociology at Bunka Gakuen University, sees the Lolita style as a manifestation of a psychological state unique to Japanese youngsters.

“The Lolita style in general represents the world of childhood, the time before girls achieve their womanly sexuality,” Tanaka said.

“They live in the inner world of cuteness and immaturity, as if they are refusing to grow into an adult,” he said. “They seem to rebel against the styles of certain age groups imposed by society.”

Maybe for that reason, the Lolita style seems to be confined to a fairly small demographic.

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