Brown Chen (陳志偉) says that when his group’s self-titled debut Da Xi Men (大囍門) was released in 2005, he wasn’t ready.
“I was way too young,” he told the Taipei Times last week. “In the Taiwanese recording industry, if you waste a chance you are gone. The funny thing is, they don’t tell you they are not going to release your next album. They just say, ‘Keep working on it.’ After I had made four demo albums, one each year, I asked my manager about a song. He replied, ‘What song?’ so I finally got it.”
Chen had a lot of contacts, and he decided to put out the album independently. He cherry-picked the best songs from the four demo albums and released X.
Photo Courtesy of Mr Brown
“I’m lucky, because then I won the Golden Medley Award,” he said, referring to Da Xi Men’s victory in the best vocal group category last year.
Now, Chen is back with a new moniker, Mr Brown (布朗), and a new album, titled H.A.R.D. (用力專輯), which was released yesterday. This time he’s prepared for success.
“I won’t say it’s my time, but I will say I’m ready,” Chen said. “I’ve been doing my music for n ly 10 years and I have seen the good and bad. I’m grown up now and music is my job.”
Photo Courtesy of Mr Brown
The underlying theme of Chen’s new album is ordinary people’s passion. The first single, Light Up My Fire, was influenced by sports.
“I’m producing a movie about people playing soccer in Taiwan, so I went to visit a lot of teams, both pro and amateur,” Chen said. “It seemed to me like the amateurs had more passion. Sometimes they didn’t feel good or sometimes they were hurt. Sometimes it was even raining, but they still wanted to play basketball. They kept going. They light up their own fire.”
Light Up My Fire will be featured in commercials for the New Year’s Eve celebrations in front of Taipei City Hall, where Chen will be performing to a huge crowd.
“The officials contacted me and said to make a song sampling an old Chinese song,” he said. “I did that but didn’t really think it was very good. I told them I had a better one from my new album and they picked it.”
Chen says he works hard at producing songs, but also knows how to have a good time.
“In my life, I party a lot. Why not have a party song on the album?” he said, referring to his second single, the electro-influenced Champagne.
In the chorus, Chen chants: “We need more champagne/We need more champagne” over and over, but the song also carries a deeper message.
“I don’t want to say I’m the party king. I want to explore the reason why we party,” he said. “I think everyone enjoys having a celebration even if they don’t have much money. It’s an easy way to make everything better.”
NEW STYLE
After rapping for the first two albums, Chen wanted to change his style and try something new.
“I didn’t want to only rap. I wanted to rap, sing, and rap with the melody, kind of like Bone Thugs-N-Harmony,” he said. “I was practicing and practicing and thinking ‘I can’t do this new style.’ Finally, one day I wrote a song and recorded [it] and went to bed. The next day I listened to it and realized I got it. Then, the songs just started pouring out.”
The breakthrough song was Life, which is dedicated to people with “uncool” jobs, like bus drivers.
“They may do the same things every day, but they are doing it for their families and kids and that’s great,” he said.
Chen also used the simple experience of buying fried chicken as inspiration for Neon Lights. While he was waiting for his order to be cooked at a popular fried chicken stand, he noticed a blind woman pass by. Then, she walked by again. The third time, Chen stopped her and asked her where she was going. The blind woman said she was trying to find the fried chicken stand they were standing in front of.
“The woman was so happy because she had finally found it. I feel like we are lucky because we don’t have a hard time doing something as simple as getting fried chicken,” Chen said. “Many people say they can feel handicapped people’s pain, but that’s bullshit. With this song, I’m saying I can’t feel your pain but I can let you know you are not alone.”
DUBSTEP
Neon Lights pushes the envelope of Taiwanese pop music by including a dubstep break toward the end.
“To create dubstep, you have to have a lot of imagination,” Chen said. “I think that matches what blind or sick people have to go through all the time.”
Since Chen is maturing in his music as well as life, a few of the songs are about the ups and downs of love.
“Sometimes we have relationships that are one night, one month, or one year, but what is real love?” Chen asked.
“Right before I wrote Eternity, I drove my scooter up to Yangmingshan and saw an old couple going very slowly up the hill. I drove around for an hour and saw many couples kissing. Then on the way down, I saw the same couple still going up. Maybe they are very simple and aren’t romantic, but they will stay together for their whole life.”
When asked about his own love life now that he’s becoming a star, Chen laughed: “I like pretty girls. But pretty girls are a problem.”
With a wide variety of styles, all of the songs on H.A.R.D have one thing in common. “I like groovy music. Whether it’s electro, funk, dubstep or hip-hop, I try to make everything groovy,” Chen said.
So why not call the CD G.R.O.O.V.Y. instead of H.A.R.D.?
“The album is called H.A.R.D. because our generation is smart,” Chen said. “We have a good education. Almost all of us have graduated from high school. We aren’t stupid. We should use our knowledge to live hard, work hard, and play hard.”
Last week Joseph Nye, the well-known China scholar, wrote on the Australian Strategic Policy Institute’s website about how war over Taiwan might be averted. He noted that years ago he was on a team that met with then-president Chen Shui-bian (陳水扁), “whose previous ‘unofficial’ visit to the US had caused a crisis in which China fired missiles into the sea and the US deployed carriers off the coast of Taiwan.” Yes, that’s right, mighty Chen caused that crisis all by himself. Neither the US nor the People’s Republic of China (PRC) exercised any agency. Nye then nostalgically invoked the comical specter
Relations between Taiwan and the Czech Republic have flourished in recent years. However, not everyone is pleased about the growing friendship between the two countries. Last month, an incident involving a Chinese diplomat tailing the car of vice president-elect Hsiao Bi-khim (蕭美琴) in Prague, drew public attention to the People’s Republic of China’s (PRC) operations to undermine Taiwan overseas. The trip was not Hsiao’s first visit to the Central European country. It was meant to be low-key, a chance to meet with local academics and politicians, until her police escort noticed a car was tailing her through the Czech capital. The
April 15 to April 21 Yang Kui (楊逵) was horrified as he drove past trucks, oxcarts and trolleys loaded with coffins on his way to Tuntzechiao (屯子腳), which he heard had been completely destroyed. The friend he came to check on was safe, but most residents were suffering in the town hit the hardest by the 7.1-magnitude Hsinchu-Taichung Earthquake on April 21, 1935. It remains the deadliest in Taiwan’s recorded history, claiming around 3,300 lives and injuring nearly 12,000. The disaster completely flattened roughly 18,000 houses and damaged countless more. The social activist and
Over the course of former President Ma Ying-jeou’s (馬英九) 11-day trip to China that included a meeting with Chinese Communist Party (CCP) leader Xi Jinping (習近平) a surprising number of people commented that the former president was now “irrelevant.” Upon reflection, it became apparent that these comments were coming from pro-Taiwan, pan-green supporters and they were expressing what they hoped was the case, rather than the reality. Ma’s ideology is so pro-China (read: deep blue) and controversial that many in his own Chinese Nationalist Party (KMT) hope he retires quickly, or at least refrains from speaking on some subjects. Regardless