Milan fashion designers are investing heavily in gold, no matter what the stock market is doing.
Gold lame, gold sequins, gold embroidery and gold baubles figured prominently in styles for next spring and summer that were presented in Milan over the past week, as if to impart the Midas touch at a moment of economic uncertainty.
Perhaps it is not coincidental that the era most frequently evoked during Milan fashion week was the roaring 20s, seen through its sequined and beaded drop-waisted flapper dresses. The carefree, fun decade ended with the devastating 1929 stock market crash.
Photo: AFP
The collective fashion response from Milan seemed to be: If we’re all going down, let’s at least look ladylike.
Styles on the Milan runways were decidedly mature, not girlish. There were proper leather handbags with handles or smart clutches.
The sandal has returned, replacing last year’s practical boot, in heels or platforms. Often gilded, the sandals proved challenging to some models who stumbled on the runway, as well as to fashionistas attending the shows, who quickly adapt to even the mere whiff of a trend. Makeup was mostly natural with flashes of glitter, and hair, often teased, was pulled back.
Photo: Reuters
Summer next year marks the return of the pleated skirt, often with demure, knee-length hemlines. Soft cuts were set off by lace, satin and chiffon fabrics — sometimes paired with heavier textures like leather and wool.
Designers didn’t forego sexy looks. While keeping the skirt lengths long, they allowed women to show off their legs with deep slits or sheer fabrics. Necklines plunged, shoulders were bared and backs dipped low.
The drop-waisted and no-waist dresses gave designers all the license they needed to play with beading, sequins and fringe. Embroidery was another favorite. In another nod to glamour, many trotted out cinched-at-the-waist swimsuits.
Photo: AFP
While shades for the summer are mostly muted, there were some flashes of color in bold tropical prints, animal patterns and floral designs. The burst of color was the surest sign that Milan fashion remains upbeat despite the gloom.
ARMANI
“A pearl of a lady” is how designer Giorgio Armani defined his 2012 summer woman. The ultra-feminine collection is created out of fabrics that have the iridescence of a precious pearl and the lightness of a feather.
Departing from the dress and skirt look proposed by most designers in Milan, Armani favors wafer-thin trousers delicately slit in the front. He pairs them with a jacket, cut on the bias and devoid of collar and buttons, or allows them to peep out from under a skirt or dress.
Water is another theme of the collection, with iridescent aquamarine and white silk for satin gowns with sequins, which sparkle on the outfits like a morning dew.
Dress hemlines range from knee to ankle, and are cut from ultra-light fabrics that caress rather than hug the body.
Mixing night and day, the designer paired his evening wear with flats, saving high heels for daytime dressing. For his finale, Armani sent out three models in identical see-through strapless evening gowns, chastely covered in a shower of raindrop sequins.
DONATELLA VERSACE
Donatella Versace showed her second line Versus collection in the courtyard of the Versace palazzo in downtown Milan late Sunday. The summer Versus girl, as viewed by Scottish designer Christopher Kane, hand-picked by Versace to revive the once-flourishing line aimed at the younger set, is athletic and sexy.
Walking down a runway designed to resemble a basketball court, the young models looked like cheerleaders in their short pastel colored frilly skirts and matching tops.
The most creative part came in the cardio-electrogram zigzag prints in contrasting black and pink for sheath dresses as well as athletic tops.
DSQUARED2
DSquared2 saluted the summer rock festival — even the muddy ones.
More than four decades after Woodstock, designing twins Dean and Dan Caten have imagined a concert tour from London to Glastonbury, with rain certainly on the radar, creating high-heel rain boots for the chic rock concertgoer. From there, just about anything goes in Monday’s easy-to-wear line.
DSquared2 included elements that have permeated this round of Milan previews, notably fringe, bare backs, one-shoulder dresses and long skirts, but in a much more casual and youthful way.
Colors were lively, yellow, orange and green. The twins fashioned shirts emblazoned with the stars-and-stripes that draped, added denim short shorts — sometimes with pom-pom fringe — studded belts and leather vests with fringe. Fur wraps — one a fox — added a touch of glam. Flannel shirts and scarves were tied around the waist, ready for evening layering when temperatures cool. What else for accessories but concert wristbands, backstage passes, headbands, brightly colored mirrored sunglasses, even paired with a yellow rain slicker emblazoned with the slogan “Niagara Falls?”
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
Peter Brighton was amazed when he found the giant jackfruit. He had been watching it grow on his farm in far north Queensland, and when it came time to pick it from the tree, it was so heavy it needed two people to do the job. “I was surprised when we cut it off and felt how heavy it was,” he says. “I grabbed it and my wife cut it — couldn’t do it by myself, it took two of us.” Weighing in at 45 kilograms, it is the heaviest jackfruit that Brighton has ever grown on his tropical fruit farm, located