Tue, Jul 19, 2011 - Page 16 News List

For the love of spray paint

A new generation of graffiti artists is reshaping the art form previously known as vandalism

By Suzette Laboy  /  AP, Miami

Graffiti was once considered a sign of urban decay, the sort of thing that might keep tourists away from a neighborhood. Now, not only is it an accepted art form, but it’s also the subject of a new tour in one of Miami’s trendiest neighborhoods, Wynwood, where legal outdoor murals by graffiti artists cover the walls near art galleries and restaurants.

The two-hour tour — which takes place on Vespas — is offered by a company called Roam Rides. It starts with a 15-minute ride from Miami Beach over the Venetian Causeway to the Wynwood Arts District, considered the mecca of Miami’s emerging arts scene, and includes four or five stops to survey the area’s best graffiti. The tour ends with lunch at a happening Wynwood restaurant.

Once considered a rough neighborhood, Wynwood has become a destination for artists from all over the world. Art galleries abound and events are held here each December as part of the Art Basel Miami Beach art fair. Wynwood is also now home to one of the world’s largest installations of murals by multiple graffiti artists.

“It’s gotten to be so pervasive and it really brightens up the neighborhood,” Kit Sullivan of Roam Rides said.

“It’s so not what you would expect of Miami,” said Jesse Bull, an economics professor who took one of Roam Rides’ recent graffiti tours. “The graffiti has kind of added to that. It livens it up and makes it fresh and artsy and I think that’s a good thing.”

Guides point out work by different local artists — such as Typoe and “Tribe Called Phresh” aka TCP — while explaining the evolution of graffiti from the days when artists plastered their names on vacant buildings and train cars as a way to gain street cred.

These days, building owners give permission to artists to spray paint their designs, and these legal pieces share the walls of dozens of neighborhood art galleries and chic restaurants. They’re easy to distinguish from illegal graffiti, which is often done fast, in secret and at night, with a single or very few colors. The sanctioned murals, in contrast, allow artists to take their time, use multiple colors and work in-depth in large spaces with elaborate details.

“It’s definitely a changing art form,” Sullivan said. “It’s gotten to the point where a lot of these guys don’t even use their names at all. They just have a certain distinctive style. You can recognize it when you see it.” For example, artist Chor Boogie’s signature work includes geometric elements and half-hidden faces, as well as an eye.

Major paint companies are even helping graffiti artists make the transition to a legitimate art form by donating spray paint.

“Graffiti has been a bad word in America for a long time. We are trying to change that,” said Jayson Moreira, co-owner of Montana Colors North America, a spray paint company based in San Francisco, which donated 8,000 cans of spray paint used to create many of the murals in Miami during Art Basel. He even helped paint a mural of Japanese girls on the side of a two-story building that was once an RC Cola plant.

The world of graffiti has its own lingo. Artists “tag” their works with their names. A “throw up” is a quick piece. A “bomb” is usually illegal work that is “thrown up” fast, often at night, in a place that’s difficult to access. “Slashing” is when an artist disrespectfully “throws up” his names over a legal piece. A legally done mural or elaborate work that took days or weeks to complete is considered a “masterpiece.”

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