Wed, Oct 14, 2009 - Page 15 News List

Soul-searching in China as art prices plummet

The market for contemporary Chinese art has been hit hard by the financial crisis, though more traditional categories of Chinese paintings and antiques have fared better

By James Pomfret  /  REUTERS , HONG KONG


The fallow plots of farmland on the edge of the artists’ village of Songzhuang (宋莊) are a symbol of Chinese contemporary art’s recent boom and bust cycle.

When prices for Chinese art soared, there were grand plans to build more galleries and studios in this artists’ hamlet near Beijing. Yet today, after art prices plunged by some 60 percent in the past year, the expansion plans have floundered.

After a white-hot stint, the financial crisis has battered China’s art landscape, shrinking investment in grand schemes like Songzhuang, shuttering galleries in Beijing’s pioneering 798 arts district and deflating bloated egos, valuations and excesses.

“The Chinese contemporary market was over-swollen before. I felt it wasn’t very healthy,” said Nan Xi (南溪), a former Chinese army officer turned artist whose works, huge pointillist ink-brush canvasses which he displays in his spacious Songzhuang villa, fetched around half a million yuan (roughly US$70,000) at the peak of the market.

In the good days, ferocious bidding in auction rooms at the market’s peak in 2007 and last year caused prices to spiral skyward with buyers and speculators treating contemporary artwork almost like stocks or tradeable commodities.

What resulted was a glut of average art at inflated prices and a growing community of millionaire artists, some more drawn by the opportunities to make vast amounts of cash than any artistic vision.

“The financial crisis has been a good lesson for us; to better know what the market is, and art’s relationship to it. Having too much money is not good for an artist’s development,” said Nan.

China’s leading auction house, Beijing Poly International Auction, which is famous for its repatriation of looted bronze animal heads from the West, has seen business in Chinese contemporary art plunge over 50 percent in the past year.

“A lot of buyers have been pushed out, including the speculators. The collectors who are left are now able to pay more reasonable money for reasonable things,” said Li Da (李達), Poly’s general manager.

He gives the example of a large Zhang Xiaogang (張曉剛) bloodline painting which fetched US$2.5 million in May and says that painting would have sold for more than twice that amount if it had been auctioned in 2007.

Melancholy canvasses by Zhang, one of China’s A-list artists which includes the likes of Liu Xiaodong (劉小東), Zeng Fanzhi (曾凡志), Fang Lijun (方立均) and Yue Minjun (岳敏君), sold at up to US$6 million a piece at the market peak.

Those valuations have, like many others, since fallen some 66 percent according to an index on Chinese art Web site

Since 2007, the overall market for Chinese contemporary art has shrunk over 54 percent according to Artron. Sotheby’s and Christie’s, which both pared back their sales of Chinese contemporary art in Hong Kong, have struggled to consign outstanding works, with sellers still wary of fragile sentiment.

At Sotheby’s autumn sales, bidding was mixed for contemporary art with Zhang Xiaogang’s Comrade one of few pieces testing the US$1 million dollar mark.

Without an across-the-board recovery in China’s economy and a return to the days of huge wealth creation, Li said she doesn’t see a comeback in Chinese contemporary art prices anytime soon.

Auctioneers and dealers say collectors have become more selective since the crash, spurning lesser works while seeking value in younger artists beyond China in Asia and in the West.

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