A family with too many problems adopts Esther — a Russian-accented nine-year-old girl — who becomes a much, much bigger problem that any nightmare could have predicted. This is a graphic thriller-cum-horror flick that will offend those who wish to be offended and entertain those who wish to be entertained — and contains a plot revelation that has world-weary critics searching for superlatives. Not suitable for children, and probably unsuitable for a lot of grown-ups as well (the San Francisco Chronicle approvingly called it a “two-hour nervous breakdown,” while the sniffy Washington Post called it “depraved ... filth”). From the director of the House of Wax remake and co-produced by Leonardo DiCaprio.
My Sister’s Keeper
The plot for this one is so outlandish and histrionic at first glance that you could be forgiven for staying well clear: A pre-teen discovers that she was conceived to help her sister survive a would-be genetic death sentence, and sues her family to gain distance from the medicos who need bits of her body. But the cast (Cameron Diaz as the mother, Jason Patric as the father, Alec Baldwin as the lawyer) and the director (Nick Cassavetes, John Q) treat the audience with respect and the end result is a tearjerker with a nod to the dilemmas of modern science.
Poor prospects for this sex-laced drama about a Los Angeles gigolo and the women who stump up cash for his services. Any such sleaze requires strong characters and a clever script, but neither is on display if you believe early notices from Europe. Worse, there’s no sign of Richard Gere; audiences instead must entertain the thought of Ashton Kutcher (That ‘70s Show, The Butterfly Effect) being the main man and Anne Heche his leading customer. Vulgarities abound, starting with the title.
An unattractive loser finds himself the center of much-appreciated attention when a bloated white outfit transforms him into a hunk — but will he find or lose wisdom along the way? This Japanese comedy may sound like a cross between Shallow Hal and that awful Jackie Chan (成龍) movie The Tuxedo, but reviewers in Japan and Hong Kong think some might get a kick out if it. Those not in the mood to be reminded of the superficiality of physical beauty are better off seeing Orphan.
One of the clever ideas in the original A Nightmare on Elm Street was having petrified teenagers force themselves to stay awake to avoid the razor talons of Freddy Kreuger. In this South Korean fantasy from niche director Kim Ki-duk, a similar situation emerges when a man (who only speaks Japanese) concludes that a sleepwalking woman is acting out his dream world in the real world — with sinister consequences. As with most of Kim’s films, this will leave you exhilarated or in a stony cold funk, which might just allow us to call him the Korean David Lynch.
Keroro The Movie 4
Failed interstellar conqueror Keroro, aka Sgt. Frog, is back in the fourth feature-length anime based on the popular Japanese manga. This time around, the impossibly lazy Keroro travels across the world with his host Earth family to combat a sinister dragon whose massive tail, in the visual tradition of Independence Day, has draped itself across the skylines of cities that boast the world’s most recognizable monuments. Loosely subtitled “Crushing Invasion! Dragon Warriors,” this film should deliver the goods for young fans of this most unusual anti-hero. Screens with a Keroro short, as usual.
It has been 26 years since Nicholas Gould hosted his last Issues and Opinions radio show for ICRT a recording studio on Roosevelt Road. He remembers the familiar ‘whoosh’ as the door to the soundproof room closes and recognizes the carpet, but the recording equipment is gone, with half of the space being used for storage. Gould is filled with nostalgia as he greets his guests, two financial writers who are here to discuss Taiwan’s post-COVID-19 economy for his new podcast, Taiwan Matters. Gould had been thinking of revisiting his old career for a while, but being allowed access to
Shuanglianpi (雙連埤) is both a Hakka outpost and a place of great ecological interest. The conjoined body of water from which it gets its name is the centerpiece of the 17.16-hectare Shuanglianpi Wildlife Refuge (雙連埤野生動物保護區). No waterways of significance fill or drain this scenic lake in Yilan County’s Yuanshan Township (員山鄉). During the 1895 to 1945 period of Japanese rule, the colonial authorities — struggling to secure Taiwan’s foothills — encouraged Han people to settle in areas adjacent to indigenous communities. Around 1910, a 49-year-old Hakka pioneer called Tsou Cheng-sheng (鄒成生) from what’s now Taoyuan decided to begin farming at
The 22nd Taipei Arts Festival (臺北藝術節) opens tonight with three productions, a slightly scaled-down pandemic version that seeks to keep its tradition of big ideas, challenging programs and international connections alive and moving forward in an increasingly uncertain world. The theme of this year’s festival is “Super@#S%?” — as good a term as any when descriptives and superlatives seem not only inadequate, but somewhat irrelevant in a world where so many people cannot imagine being able to return to theaters, either as performers or audience members — they are too worried about having a job and their health. Technically, however, it is
North Korean leader Kim Jong-un was shown surrounded by pistol-toting generals while in the South masked veterans were socially distanced as the two sides yesterday separately marked the armistice that ended Korean War hostilities. The contrasting events marked 67 years since the ceasefire that left the peninsula divided and millions of families split by the Demilitarized Zone. In the North’s capital, Kim handed out commemorative pistols to dozens of generals and senior officers, who pledged their loyalty to him, state media reported. The North reported its first suspected case of novel coronavirus infection at the weekend — after insisting for months it had