TT: To what extent is the research process an integral part of producing a film that allows audiences to suspend their disbelief?
EK: I think this whole idea of research and authenticity — it’s really about making it feel authentic. I think it was in Finding Nemo where someone was saying: It is wrong, it doesn’t actually work that way that if you get swallowed by a whale you wouldn’t be able to go out of the spout. And there was a whole long conversation about it and at the end of the discussion the director said: You know, fish don’t talk. Our goal is to tell wonderful stories [and] I think that the little child in all of us is happy to go along with it and happy to believe things that seem ridiculous or incredible if they are authentic, if we make them believable, if it all fits together seamlessly.
This interview has been edited and condensed.
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