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    I shop, therefore I am

    By Ho Yi
    STAFF REPORTER
    Friday, Jun 19, 2009, Page 14

    PERFORMANCE NOTES:
    WHAT: E-wish for a Lonely Island (©t®qeÄ@±æ)

    WHEN: Tonight at 7:30pm, tomorrow at 2:30pm and 7:30pm and Sunday at 2:30pm

    WHERE: Fifth Central Hall (¤¤¤­À]), Huashan Culture Park (µØ¤s³Ð·N¶é°Ï), 1, Bade Rd Sec 1, Taipei City (¥x¥_¥«¤K¼w¸ô¤@¬q1¸¹)

    ADMISSION:
    Tickets are NT$700, which includes a shopping bag and a flashlight, and are available through NTCH ticketing or online at www.artsticket.com.tw

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    Ho Hsiao-mei (¦ó¾åª´) likes to think her art is close to real life. She put Taiwanese culture in the form of betel nut beauties and glove puppets under the microscope in 2006¡¦s The Island of Silence (Àq®q¼Ö¶é). For her latest performance, E-wish for a Lonely Island (©t®qeÄ@±æ), the choreographer and director explores the more universal theme of contemporary consumerism.

    ¡§I hold nothing against consumerism or capitalism. I am an eager shopper myself. My aim is merely to share some of my observations and thoughts about shopping and buying,¡¨ said Ho, director of the Taipei Crossover Dance Company (¥x¥_¶V¬É»R¹Î).

    Made up of 12 short segments, E-wish is a kinetic fusion of dance and theater in which dialogue is kept to a minimum and performers act out buyers¡¦ hopes and dreams through

    dance movements.

    In one segment, the performers, wearing doctor¡¦s white lab coats, take on the role of pharmaceutical salespeople who promote a newly invented love and happiness pill.

    Then the lights dim, and they strike seductive poses while inviting the audiences to look at them closely.

    In I Bought a DNA Set, the dancers turn into gymnasts and celebrate the triumph of science.

    Ho says the act of buying is no longer about desire; it has become the driving force that shapes our very existence. ¡§We purchase health, happiness, self-expression, hope and even our future ... Maybe one day I will be able to buy a DNA set ¡X a new me,¡¨ she said.

    The professor of choreography and dance develops crossover productions by working with performers in different fields. For this show, industrial designer Lin Fei-pi¡¦s (ªL­¸¤ñ) flexible paper chair is used as an installation prop. And to ram E-wish¡¦s message home, audience members have the opportunity to buy a range of souvenirs including necklaces, bags and mugs by lifestyle design firm Afterain Design Studio (¤Ñ´¸³]­p¨Æ°È©Ò). The online shop can be accessed via Ho¡¦s blog at blog.yam.com/crossover9.

    Astute readers may wonder why admission costs NT$300 more than the average for a small-scale theatrical performance. Each ticket comes with a shopping bag and flashlight, the purposes for which will be revealed during the show.

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