[ART JOURNAL] State of ambivalence

It has been said that these artists are following in the footsteps of other, Western, artists who employ irony and satire to reveal uncertainty. Perhaps. And yet it seems natural for these interpreters of Taiwan — where it is not uncommon for people to identify more with China, Japan or the US than they do with their own country — to infuse their work with images that bemuse as much as they equivocate. The exhibit for the most part astounds in its diversity of styles and control over materials used and moves beyond status quo expectations of recent (and generally banal) trends in contemporary art.

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