Wu believes an artist should have the courage to challenge prevailing ideas. Recalling the raised eyebrows and general disapproval when Europe Resurrection was first staged, he noted that experimental cinema isn’t well received by the contemporary art scene in Taiwan, though the artistic form has long been part of the fine-arts tradition in the West. In Taiwan, he said, the Golden Harvest Awards (金穗獎) and Urban Nomad Film Festival are the only remaining venues that support experimental filmmaking.
“I see an incredible amount of creativity and energy in my students’ works, but there are no venues to show them,” Wu said. “I am planning to organize a showcase for experimental films with my students. It will begin with the campus, of course, but may grow into an international venue someday.”
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