Fri, Jun 13, 2008 - Page 17 News List

[FILM REVIEW] It was a simpler, more complicated time

Pierce Brosnan picks up the pace of his transition away from straight-to-DVD action roles, in this film-noirish tale of betrayal and infidelity set in late-1940s America

By Roger Ebert  /  ATLANTIC SYNDICATION

Pierce Brosnan is becoming a whole new actor in my eyes, after this film, The Matador, Evelyn and The Tailor of Panama. It’s a kiss of death to play James Bond, but at least it gives you a chance to reinvent yourself. Chris Cooper reinvents himself in every film; can this be the same actor from Adaptation? Here he seems so ... respectable. Rachel McAdams does a nice job of always seeming honest and sincere, even when she makes U-turns, but Patricia Clarkson, as always, has a few surprises behind that face that can be so bland, or scornful, or in between. Still housewives run deep.

There is so much passion in this story that it’s a wonder how damped down it is. Nobody shouts. And we discover that Harry is not the only person in the story who can surprise us. The lesson, I think, is that the French have the right idea, and adultery is no reason to destroy a perfectly functioning marriage. But is the movie about marriage, or sex, or murder, or the murder plot, or what? I’m not sure. It deals all those cards, and fate shuffles them. You may not like it if you insist on counting the deck after the game and coming up with 52. But if you get 51 and are amused by how the missing card was made to vanish, this may be a movie to your liking.

This story has been viewed 1435 times.
TOP top