Of his Bond plots, Fleming, ever prosaic about his talent, said, “I extracted them from my wartime memories, dolled them up, attached a hero and a villain, and there was the book.” For M, Bond’s irascible, domineering secret service overseer, he had as a model Rear Admiral John Godfrey, his wartime intelligence chief; old school friends, golfing partners and girlfriends also metamorphosed into Bond characters. Even his villains had real-life antecedents.
Bond himself, Fleming said, was “a compound of all the secret agents and commandos I met during the war,” but his tastes — in blondes, martinis “shaken, not stirred,” expensively tailored suits, scrambled eggs, short-sleeved shirts and Rolex watches — were Fleming’s own. But not all the comparisons were ones the author liked to encourage. Bond, he said, had “more guts than I have” as well as being “more handsome.” And he was eager to discourage the idea that he had been as much of a Lothario as Bond before his marriage to Ann Rothermere, whom he wed in 1952, the year he wrote Casino Royale.
But the exhibition suggests otherwise. A section of the show titled Friends and Lovers has one of a stable of prewar girlfriends, Mary Pakenham, saying of Fleming, “No one I know had sex so much on the brain as Ian.”
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