Design professor Kristy Cha Ray Chu (曲家瑞) had a student who painted nipples on a T-shirt and sold it at an art market. Chu normally shops in San Francisco and New York but was impressed by the statement and bought the shirt.
"I asked her if she was embarrassed and she said no. She doesn't like wearing bras but you can't do that in Taiwan. So she painted nipples on a T-shirt," Chu said.
Handmade items like Chu's shirt have been gaining popularity through Taiwan's growing number of art markets. High school and college students flock to the city-hopping Campo Life Art Carnival (CAMPO生活藝術狂歡節) for cheap, non-corporate clothing and accessories. Fashionistas and stylists find more expensive items at the monthly market held at Eslite Bookstore Dunnan Branch (敦南誠品書店) in Taipei, which evolved from an illegal street market that pops up outside the store at night.
PHOTO: COURTESY OF CAMPO
Late last year, the first Urban Simple Life (簡單生活節) music festival selected 100 independent vendors through a competitive process to sell clothes, furniture and jewelry inside festival grounds. Next month's Taipei Film Festival will incorporate an art market. Even Starbucks is planning one.
"Everyone wants to have something to do with the creative market thing," said Chu, director of Shih-Chien University's (實踐大學) Institute of Fashion and Communications Design. "Before these people used the make these things at home behind closed doors. Now they have a stage."
The next Campo starts tomorrow at 2pm in Bitan (碧潭) a three-minute walk from the Xindian (新店) MRT station in Sindian, Taipei County. There, 60 independent vendors will sell T-shirts, bags, stationery and dolls. Campo is taking a cue from recent music festivals and has reserved booths for groups like Purple Ribbon (天空紫絲帶), which fights domestic violence. Indie-electronica bands Nylas and Varo will provide musical entertainment at the market between 2pm and 4pm. Following that, DJs from Lim Giong's (林強) Her-He Party crew will take over until Campo closes at 9pm. Last month's Campo, also held at Bitan, featured 100 designers and attracted around 3,000 visitors. Organizer A-li (陳昱興) said the market is looking for a permanent home in Taipei, after spending the last year touring the island and staging one event in Beijing.
Then on Saturday, June 30, from 10am to 9pm, several dozen Shih-Chien University students, 40 other designers, and a few indie-rock bands will stage their own art market in Taipei's Huashan Arts District at 1 Bade Rd, Taipei (台北市八德路一段1號). The students will sell T-shirts and post cards bearing their graphic art and photography. Expect more avant-garde work here, because the Shih-Chien students will be selling things they made for class projects.
Chu thinks creative markets like Campo could be a passing fad, because the vendors focus on short-term profits instead of developing radical designs that might take years to become trendy. And fashion houses go to student exhibitions and the annual Taiwan New Designer's Exhibition (新一代設計展) to look for inspiration and talent to hire. "I think we're not really good at organizing markets [in Taiwan] because you see all sorts of things in one market, unlike in New York or London where you have markets that specialize in different things, like antiques or vintage clothes," she said.
Eyes (大眼) - a Campo regular whose clothes and accessories sell under the eyesQ label at Zabu in the Shida area and JuJu AMa on Dunhua South Road - said many vendors go to Campo to make money or break even. "But the other half aren't there to make money," she said, "they're there because it's fun."
To be sure, Chu has seen students, such as Wu Cheng-an (吳政安), parlay a Campo booth into successful business ventures. And she praises Campo for showing people that you don't have to be a formally trained artist or designer to do good work. "A lot of people at Campo have no design or art background … but it's amazing how creative they can be," she said.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
The following three paragraphs are just some of what the local Chinese-language press is reporting on breathlessly and following every twist and turn with the eagerness of a soap opera fan. For many English-language readers, it probably comes across as incomprehensibly opaque, so bear with me briefly dear reader: To the surprise of many, former pop singer and Democratic Progressive Party (DPP) ex-lawmaker Yu Tien (余天) of the Taiwan Normal Country Promotion Association (TNCPA) at the last minute dropped out of the running for committee chair of the DPP’s New Taipei City chapter, paving the way for DPP legislator Su
It’s hard to know where to begin with Mark Tovell’s Taiwan: Roads Above the Clouds. Having published a travelogue myself, as well as having contributed to several guidebooks, at first glance Tovell’s book appears to inhabit a middle ground — the kind of hard-to-sell nowheresville publishers detest. Leaf through the pages and you’ll find them suffuse with the purple prose best associated with travel literature: “When the sun is low on a warm, clear morning, and with the heat already rising, we stand at the riverside bike path leading south from Sanxia’s old cobble streets.” Hardly the stuff of your
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby