According to legend, the slate found in the mountainous region around Wutai (霧台) possesses either male or female characteristics. Rukai (魯凱) craftsman say soft slate is "feminine," making it ideal for carving and relief work, while the hard stones are "masculine" and are used as foundations for roads and houses.
A natural insulator during the cold winter months and cool in the summer, slate is an important building material for the Rukai, who are expert at cutting, carving and setting the stone. The village has used its artisans to great effect as the streets are laid with these large flat stones, both plain and decorative.
The manner with which the Rukai people classify the stone is similar to the traditional lifestyle led by the tribe where hunters hunt in the mountains while women stay at home caring for the children and making colorful clothing from cotton or linen.
Wutai is perched 1,000m above sea level at the southern tip of the Central Mountain Range and is home to the West Rukai Group (西魯凱群) of Aboriginal people. The tribe's homes are built using the black slate and shale found in the rivers and streams close to the village.
The village is currently undergoing a renaissance of sorts: It is being refashioned using materials that are unique to its environment. Little cement can be found here, the flat stone is increasingly the primary material used on the streets that wind around the mountain.
Such renewal is seen as a boost for tourism. A number of recently constructed guesthouses and an ongoing project by the local government to renovate the village, means Wutai is an ideal getaway, a haven of Aboriginal culture with artisans selling handicrafts from slate booths: Coach loads of tourists have yet to descend on this picturesque village, though.
The expertly laid streets and laneways are ideal for long strolls through Wutai. Interspersing the "masculine" stones lining the roads are larger slate pieces that stand vertically 1.5m off the ground and adorned with scenes from a famous hunt or of flora.
The wide variety and colors of the motifs sculpted, carved or painted onto the laneways and houses create a vivid narrative of the group's lifestyle and history.
As the Rukai are a tribe of hunters, it's common to see the eves of houses lined with the skulls or jaws of mountain boar, trophies that signify a hunter's acumen in the bush.
One guesthouse is fashioned entirely by the hands of the hunter who owns it, with the external walls made entirely of flat stone and the interior fashioned from wood taken from the surrounding forest. The guesthouse is a veritable taxonomic museum with stuffed birds and other small animals filling the hand-built shelves in the living room.
This remote place boasts orderly and neat streets, and lifestyles that have changed little over the past century.
The village is well over a century old and became notorious in 1914 when the Rukai revolted against their Japanese colonial rulers. Several barrack-style buildings, built during the Martial Law era when the Chinese Nationalist Party-government banned collecting slate, remain. Some roads are still paved with cement, though in recent years, as the government has liberalized the ban on collecting slate, a limited amount is being used to refashion the streets.
It seems the ban on gathering slate was replaced by a ban on littering, though this may have something to do with the fact that Wutai has yet to be swamped by tourists.



