Sat, Feb 24, 2007 - Page 12 News List

New horizons

LTJ Bukem and Conrad are returning for a welcome serving of drum 'n' bass

By Gareth Price  /  CONTRIBUTING REPORTER

Drum 'n' bass pioneers Conrad, left, and LTJ Bukem embrace new technology while staying true to the genre's roots.

PHOTO COURTESY OF THE LOOP

As fast as he finishes one sentence, LTJ Bukem has started a new topic, and taken it in a different direction. His speech echoes the musical banter of his DJ sets and his production work, which Herbie Hancock has described as "21st-century jazz": it flips, plays, parries and re-centers in the space of a paragraph, a mix, or a 12-inch record. Bukem and his lyrical partner MC Conrad play at Luxy on Tuesday night, a year since the pair last hit the island.

Bukem's label, Good Looking Records, has seen little action since 2004. "We just took a break. After 13 years of seven-day weeks," said the DJ who was born Danny Williamson in 1967.

The real work has been going on behind the scenes. The label is back in the groove with an album by old favorites Makoto, groundwork for Bukem's next album and new material from Conrad. The pair are about to embark on a Progression Sessions residency at London's Fabric on the final Friday of each month and are planning a reunion of the seminal London drum 'n' bass night Speed.

"Part of the reason we took a break from the label," Bukem said in an interview from London, "is that we wanted to sit back and work out how we were going to tackle the digital music era."

But even as digital seems to have dislodged analogue from its pedestal, Bukem retains his old-school roots and continues to use vinyl for his gigs.

"I see turntables as instruments," said Bukem, who plays the trumpet, piano and drums. "But I think we've reached a point where people have forgotten that deejaying is a creative art. Deejaying off CDs or MP3s, which have lost the original sound quality of the track, is not the same as playing with vinyl, with full frequency response, the huge audio presence, and the quality of the original mastering right there on the wax. I'm not against guys who do this. It's just not for me."

For your information:

WHAT: LTJ Bukem and Conrad

Where: Luxy at 5F, 201, Zhongxiao E Rd Sec 4, Taipei (台北市忠孝東路四段201號5F)

When: Tuesday from 9pm

Tickets: If wearing camouflage clothing, entrance is free before 11pm, otherwise tickets are NT$299, which includes a drink, and NT$500 after 11pm with two drinks

On the Net: www.luxy-taipei.com


Bukem concedes that Serato — the technology which enables a DJ to play a gig with merely a laptop and two vinyl pads through which to control their MP3 files using two standard turntables — is more technical than other forms of new deejaying technology.

"It takes beat matching, some skill to mix, unlike laptop DJs, who only have to get their computers to add four plus four and end up on-stage looking like they're writing a bloody e-mail," he said. "But then I get promoters who ask me why my records sound different. I'm thinking, have they forgotten what vinyl sounds like?"

Bukem has much to say on the way things have changed since he started out some 17 years ago and he is not keen on DJs taking shortcuts. However, the musician/producer/DJ is no Luddite when it comes to innovations that broaden music-making.

"The move away from deejaying with vinyl is very different from using new technology to make music production easier," said Bukem, who notes that the Internet age leaves him with dozens of e-mailed demo tracks on his desktop each morning, which saves him from ripping through parcels of dub-plates. "I'd much rather have the technology to enable a guy with a great idea to sketch that idea down, than having him still sitting there in his bedroom with no way to do anything with his great idea."

Bukem and Conrad's partnership goes back to 1991, when Bukem heard Conrad rhyme over a mix tape, collared him at a gig on a farm, and asked to him to work live. The two have never looked back, and their names are synonymous with the early days of the drum 'n' bass scene, as well its pioneering spirit as the genre has evolved in recent years.

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