People usually think of skateboarding as the domain of white kids who listen to punk rock, alternative music, or heavy metal. But there's a growing side to the sport: a multicultural array of skateboarders who enjoy hip-hop culture.
Some use rap music as the sound track to push wood. Others, such as Evan Collins, a 25-year-old Cambridge resident, are as skilled at MCing as they are at doing the manual, a trick in which the skater balances on the board's back wheels.
“They're both, like, really urban sort of arts almost,” says Collins, who began skateboarding when he was 11 and often showcases his skills in the financial district, Copley Square, and the Aquarium. “A lot of rappers come from the city. Their music is based on city-type stuff. The same thing with skateboarding; we skateboard in the city all the time.”
The relationship between the two street cultures goes as far back as the late 1970s, when a group of skateboarders and graffiti artists united in Manhattan to form the Zoo York crew. Some of them went on to create the skateboard companies SHUT and Zoo York, which is now a popular line owned by clothier Marc Ecko.
These days it's not unusual to hear the rhythms of hip-hop blaring at the X-Games or on skateboarding DVDs. Mos Def's 2004 video Ghetto Rock intersperses images of break-dancers with those of skateboarders doing tricks in New York's Bedford-Stuyvesant neighborhood. Electrik Heat — The Seekwill, the lead single from k-os' new album, Atlantis: Hymns for Disco, shows people scratching, break-dancing, and skateboarding.
Some in the skateboarding community welcome the expanding definition.
“It's certainly going to help skateboarding become more accepted all over,” Collins says. “A lot of people still seem to think skateboarding is long hair and tight pants and alternative music and metal. ... There's more diversity in skateboarding than a lot of people think.”
But these developments don't sit well with everyone.
Spungie, who won't divulge his full name, has worked in local skateboard and snowboard shops since he was 15. Now, at 31, he's a manager at Laced, a sneaker and skateboarding boutique in the South End. While he admits to being a fan of hip-hop, he feels obligated to point out that he likes hard rock and reggae as well.
Spungie casts a skeptical eye at recent attempts to blend the worlds of hip-hop and skateboarding. This summer, producer and MC Pharrell Williams, who cosponsors the California-based Ice Cream Skate Team, rechristened himself Skateboard P just in time to promote his Grammy-nominated CD In My Mind. Rapper Lupe Fiasco scored a huge hit with Kick Push, a Grammy-nominated song about the life of a skateboarder that touches on everything from the bruises earned learning the sport to the struggles to find a welcoming place to skate. The Chicago-based rapper underscored his interest in the culture by teaching MTV VJ Sway a few skating tricks in an episode of the channel's My Block: Chicago.
“Real skateboarders don't respect any of that that's going on,” Spungie says. “A lot of styles and a lot of trends have been based off of skateboarding: everything from sneakers all the way up to apparel, you know. So a lot of people are just posers, I guess. ... I mean Pharrell likes to talk all this nonsense on this and that, but everybody knows the kid can't skate.” (In interviews, Pharrell has said that he began skateboarding after his family moved from the projects in Virginia Beach to the suburbs.)
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