Sun, Oct 22, 2006 - Page 19 News List

The "Zen" master of homicide" returns to LA

Michael Connelly's latest detective novel weaves unsurprising elements into a surprisingly suspense-filled story

By Janet Maslin  /  NY TIMES NEWS SERVICE

The creep is called Raynard Waits. For a while he threatens to lead the way into James Patterson country, since there is a storybook connection: Reynard means fox, and that means the fox of a French medieval fable. (“I studied European folklore in college,” says the character explaining this to Harry.) Add the fact that female foxes are called vixens and you have Waits, serial killer of women. You also have Hannibal Lecter, who is evoked by Waits' taunting demeanor and eagerness to give Harry a sadistic runaround.

This is merely the setup for a novel that involves a political angle (one scheming character is running for district attorney), a few wonderfully red herrings (like the venerable character almost ready to retire from the police force and move to a Caribbean paradise), some forgotten details that remind Harry of a long-overlooked Carnegie Hall recording of John Coltrane with Thelonious Monk and, of course, Harry's trademark insubordination. The Zen Master of Homicide, as a girlfriend and colleague teasingly calls Harry, simply isn't very good at following orders.

Connelly stages a tense, extended sequence in which the police are directed through the wilds of Beachwood Canyon to the spot where Marie is supposedly buried. And Harry, like the Dirty Harry whose stubbornness he shares, plays ball with a killer because he has no other choice. But when this outing turns deadly, all bets are off for Harry: He begins operating as a solo agent despite having been yanked off this case. Connelly then leads him into a second, even more nerve-racking action episode that plays on Harry's fear of tunnels. As The Black Echo made clear right from the start, Harry saw enough tunnels during his stint in Vietnam.

Echo Park takes its title not only from the Bagman but from Connelly's typically sharp, evocative eye for his Los Angeles terrain. Of this melting-pot neighborhood near Dodger Stadium, he writes: “By day a walk down the main drag of Sunset Boulevard might require skills in five or more languages to read all of the storefronts. By night it was the only place in the city where the air could be split by the sound of gang gunfire, the cheer for a home-run ball and the baying of the hillside coyotes — all in the same hour.” The familiar sound of Harry Bosch stalking justice can now be heard there, too.

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