It's every parent's nightmare. Their apparently well-adjusted child suddenly comes home with hair the color of a coalface, a face whiter than anything made by house paint manufacturers, and announces, "Mom, I'm a goth." However, according to a new study, parents of goths will probably end up boasting about their son/daughter the doctor, lawyer or bank manager.
That is the surprising finding of Sussex University's (UK) Dunja Brill, whose doctorate in media and cultural studies looked at people with funny hair and eyeliner in London, Brighton, England (the home town of Sussex University) and Cologne, and who is herself a former goth.
"Most youth subcultures encourage people to drop out of school and do illegal things," she says. "Most goths are well educated, however. They hardly ever drop out and are often the best pupils. The subculture encourages interest in classical education,
especially the arts. I'd say goths are more likely to make careers in web design, computer programming ... even journalism."
Perhaps she has a point. Long before finding gainful employment, I too was a goth. For at least six months in the 1980s, I reached for the hair crimpers, painted my bedroom black and scrawled the name of gothy band the Birthday Party on the door so it looked like blood.
Hours were spent adopting the requisite air of mysterious gloom, reading (um) the spines of Dostoyevsky novels, and gazing forlornly at spots. However, similar experiences can be found among people in much more respectable professions.
Visitors to the Archangel dental surgery in west London are confronted by a goth dentist, Didier Goalard, who says: "I've got goth friends who are doing quite well. There's a dentist in Lyon, a couple of lawyers, a Church of England priest."
"Goths are like masons," I have been told. "They're everywhere." But rather than blaming some sinister conspiracy, let us look at the reasons people become goths in the first place. According to Choque Hosein, formerly of goth band Salvation but now running a record label, "Goths tend to be the weirdo intellectual kids who have started to view the world differently." Cathi Unsworth is now a successful author, but she remembers that her own dark gothic past gave her an outlet for alienation. "I loved the bands, especially Siouxsie and the Banshees, but it wasn't a pose -- I felt authentically depressed," she says. Unsworth was a teenager in Great Yarmouth, UK, where she felt that "people didn't like me. It got to a point where I wanted to stop fighting against being different and embrace it."
Gillian Porter is now a successful PR worker but remembers a misspent youth of "electric-blue hair extensions, big boots with great big skulls, more crimped hair than Pete Burns. Totally and utterly ridiculous." Porter wasn't depressed, although she concedes that, "Listening to a lot of Sisters of Mercy doesn't exactly cheer you up."
Unsworth favored a "black polo neck jumper and full-length skirt," for which she would be "spat on by the beer boys."
It could be tough, but being a goth can open up a world where art, current affairs and literature are embraced and openly discussed, perhaps paving the way for future networking. Unsworth remembers debates about "current affairs, Oscar Wilde, decadence [and] hairspray."
"There was a lot of Edgar Allan Poe and Bram Stoker," remembers Porter. "It was better than The Sun." For Hosein, it was Quentin Crisp and The Day of the Triffids. Anything involving horror and death."
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