Maya Widmaier-Picasso, a daughter of Picasso who authenticates works attributed to him, said last week in Paris that a US$40,000 drawing purchased by a California man through Costco last year was a fake.
Widmaier-Picasso, 70, was asked to view a digital image of the 1970 drawing three days after she pronounced two other Picassos inauthentic that had been offered by the same US dealer who sold the drawing.
Those two works, photographs of which were shown to her by The New York Times, were offered by the dealer with certificates in French saying that Widmaier-Picasso had authenticated them. Pointing to anomalies in the certificates -- grammatical errors, wording that departed from her style, handwriting that did not match hers and the placement of words on the page -- the artist's daughter said both documents were forgeries.
One of the sketches, a 1963 drawing of a bullfight that was being offered through Costco for US$146,000, was removed from the company's retail Web site, www.costco.com, after The Times informed Costco of Widmaier-Picasso's contention. Since then, Costco has been bombarded with inquiries about how it screens the fine art offered through its Web site and at "special events" at its store outlets. As the company investigates Widmaier-Picasso's assertions, it has emphasized that any of its merchandise can be returned.
The other drawing that Widmaier-Picasso examined on Tuesday was presented to her in error. The drawing's supplier, Jim Tutwiler of Boca Raton, Florida, had provided it to The Times and misidentified it as the one sold through Costco to the California man, Louis Knickerbocker of Newport Beach.
Friday, upon viewing the correct image of the work that Knickerbocker owns -- a crayon drawing of a face dated 1970 -- Widmaier-Picasso said immediately, "Ah yes, Arias, my father's barber."
After inspecting it rapidly, the artist's daughter, a stocky, ebullient 70-year-old who strongly resembles her father, declared the work to be a fake -- a copy of a genuine Picasso.
She arose, went into another room and returned with a catalog depicting works from the Eugenio Arias Collection, which resides in the permanent collection of the Picasso Museum of Buitrago del Lozoya, a town near Madrid. The museum was founded in 1985, three years after Arias, the artist's longtime barber and a native of Buitrago, donated his small Picasso collection -- "lots of little things given to him by my father," Widmaier-Picasso said.
She turned to a catalog page with a sketch of Arias' face that closely resembled the one sold to Knickerbocker. It bore the same date: Nov. 29, 1970. She explained that Picasso sketched the barber's face on the title page of a short play he had written, The Burial of the Count of Orgaz, a copy of which he dedicated to Arias.
Picasso's handwriting was markedly different from the writing on the work sold through Costco, Widmaier-Picasso pointed out -- especially the way he formed the R and the S in Arias. In the sketch reproduced in the catalog, she noted, the R had a loop, and the S was rounded; in Knickerbocker's drawing, the letters are not articulated as clearly. And in the date, Picasso's 9 had a full circle at the top of the vertical line, she noted, whereas the circle in the image shown was open.
Throughout the works in the catalog, the lettering of every Arias was consistent -- and unlike the Arias scrawled on Knickerbocker's drawing.
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