|
Published on Taipei Times http://www.taipeitimes.com/News/feat/archives/2005/10/28/2003277782 `Three Times' is more than enough for local audiences Hou Hsiao-hsien's latest movis is said to be his best yet
By HO Yi
Actors Shu Qi (舒琪) and Chang Chen (張震) play the lovers in each of the three periods. Directly translated as `best of times' from the Mandarin title, the film is Hou's personal monument to his own past. "The best of times are the times that are forever lost. We can only conjure up the ghosts of the past through our fragmented memories. The fragmentary images of life have hovered around my mind for too long now and I felt compelled to make a film of them," Hou said. The film is not only a poetic collection of the director's memories but is also a synthesis of his filmic styles to date and a time capsule of his evolution as an artist. Based on Hou's own youth, the first segment entitled `A Time of Love' (戀愛夢) is set in 1966, during the Cold War. The story evolves from the budding love between a boy who is about to go into military service and a girl who works at a billiards hall. The first section recalls Hou's realistic approach in All the Youthful Days (風櫃來的人) made in 1983 and A Time to Live and A Time to Die (童年往事) produced in 1985.
Drawing applause and cheers from the international film festival circle set at New York, London, Pusan, Cannes and Toronto, Three Times also scored nine nominations at this year's Golden Horse Awards (金馬獎), including Best Drama Film, Best Director, Best Female and Male Actors and Best Cinematography. Rumors have been swirling in local media that the film's stars, Chang and Shu are more than just colleagues. Hou reportedly stormed out of a Taipei press conference earlier this week when a reporter quizzed him on the veracity of claims that the two actors are having an affair. Meanwhile, the South Taiwan Film and Video Festival (南方影展) opens this weekend in Tainan County, its first stop on a four-city circuit. Originally started by Tainan National College of Arts to screen students' work from the college's film department, the fifth annual film festival will present several programs of international movies and Chinese-language productions and will also hold a competition for local directors. Showcasing 27 works by young local talent, the competition is divided into fictional film, animation and documentary sections. Acclaimed filmmakers including Zero Chou (周美玲) (Splendid Float (艷光四射歌舞團), Wu Mi-sen (吳米森) (Drop Me A Cat (給我一隻貓) and Lee Yun-chan (李芸嬋) (The Magical Washmachine (神奇洗衣機)) are all competing for the awards. Movies in the "Films from the South" section include Basal Banar -- Sacred Ritual of Truth, an award-winning documentary, the first to be made by the Palaw'an tribe of indigenous people of South Palawan, Philippines. The winner of last year's Festival de Cannes Prix du Jury, Tropical Malady from Thailand tells the mythical story of a country boy and a young soldier, while Beautiful Boxer chronicles the life of a kick boxer who is determined to undergo a sex change operation to become a woman. The Strait Story (南方紀事之浮世光影) by veteran female director Huang Yu-shan (黃玉珊) and The Passage (經過) by Cheng Wen-tang (鄭文堂) are among the must-sees flicks from the "Chinese-language Films" list. The only X-rated movie in the section, AV from Hong Kong is about four college students who apply for a scholarship to hire a porno star from Japan to complete their secret project.
This year's festival also introduces a new section specially for children which includes fiction and animated films from France, Japan, Estonia, China and Taiwan.
|