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Getting Global 2005 TIEFF opens up a window to diversity

By Ho Yi
STAFF REPORTER
Friday, Sep 30, 2005, Page 17

Film-lovers who enjoy experiencing different lives in faraway places without leaving home will have a ball this weekend at the 2005 Taiwan International Ethnographic Film Festival (TIEFF). Founded in 2001, TIEFF is a biennial event that aims to broaden perceptions and encourage communication between ethnic groups and cultures through the medium of ethnographic cinema. Gaining international recognition from the past two events, the festival received more than 250 entries from around the world, and the best 37 films were selected for local audiences.

Choosing the theme of family variations for this year's programs, festival curator Lin Wen-ling (林文玲) said the aim is to present cultural differences and diversity from cross-cultural perspectives on families from various regions.

As a basic social unit, the family is not only closely related to kinship and marital systems, gender roles and customs, but also heavily influenced by social, economic, political and cultural conditions of society. Lin believes that an insightful understanding on the social construction of families can be gained from examining family relationships.

The film festival is to show 37 films. PHOTO COURTESY OF TIEFF

Among the line-up, US director Murray Nossel looks at the issues of gay parenting and surrogate motherhood through the portrait of a new type of American family in his Paternal Instinct. Bride Kidnapping in Kyrgyzstan tells of the story of the abduction of women in the Central Asian country. In Children by Remote Control, director Nahum Landau makes a provoking commentary on the globalization of labor through his knowledge of Thai workers who are torn between heavy economic pressure and their bonds with relatives back home. The Perfect Dream is a film-about-a-film conceived by a group of young refugees from the Third World living in Germany. In the film, they portray mafia members, but in real life, the young actors have to face hardship and misunderstanding in a foreign land.

Family is a key TIEFF theme. PHOTO COURTESY OF TIEFF

This year's "Director Spotlight" will introduce two distinguished Australian directors, David and Judith MacDougall, and the late American master John Marshall. The MacDougalls are veteran filmmakers and scholars who have significantly influenced the theory and practice of ethnographic cinema. Two parts of the MacDougalls' renowned Turkana Trilogy, made in the 1980s, will be screened at the festival. Lorang's Way and A Wife Among Wives both examine the society of the semi-nomadic herders of northwestern Kenya and their polygamous marital structure.

In the program dedicated to John Marshall, as a leading figure in ethnographic cinema, the festival will present the first two films of his five-part series of A Kalahari Family that documents 50 years of the lives of tribespeople in South Africa's Karahari Desert. Marshall began his remarkable interaction with the tribe during his first trip to Africa in 1951 and followed closely the changing lives of the tribe members and also got deeply involved in the tribe's fight for the survival of their culture until the series was completed in 2002.

Apart from the family variations series three programs grouped under the theme of new vision will introduce works that examine various issues affecting human rights and indigenous cultures. Indigenous Perspectives presents award-winning films from Australia, Canada, China and Taiwan that document cultural conflicts and the political and social oppression faced by native tribes. The :"Human Rights and Autonomy" section includes What Remains of Us from Canada, a brave documentary about a young director who carried video messages recorded by the former spiritual and political leader of Tibet, the Dalai Lama, into the "largest prison in the world" and shot the film without the knowledge of Chinese authorities. Before the screening, the festival staff will ask the audience to leave all recording equipment outside the theater for the protection and safety of the people featured in the film.

Due to the tight budgets faced by most fringe festivals in Taiwan, the festival will show one screening per day for each film in its five-days. The organizer has invited more than half of the participating foreign directors to Taipei for an international exchange on ethnographic cinema and to hold question and answer sessions after each screening. For more information about the films and screening schedule visit TIEFF's bilingual official Web site at http://www.tieff.sinica.edu.tw.
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