The Asian Pacific Film Festival is celebrating its 50th anniversary from Sept. 28 to Oct. 1, and has invited member countries to Kuala Lumpur to showcase their best productions in honor of one of Asia's oldest movie festivals.
Four Taiwanese productions, Tsai Ming-liang's (
Hong Kong has selected box office hit Initial D (頭文字D), Jackie Chan's (成龍) New Police Story (新警察故事) and lesbian romance Butterfly (蝴蝶) for its entries to the festival competition, pitting big-screen first-timer Jay Chou (周杰倫) against veteran actor Jackie Chan both candidates for the title of Best Male Actor.
PHOTOS COURTESY OF ARTISTS N
This week local audiences will have the chance to scare the hell out of themselves by watching the Taiwan-made ghost movie The Heirloom (
Having produced last year's box office hit Formula 17 (十七歲的天空), Three Dots Entertainment (三和娛樂) is a young, energetic local company that aims to boost sagging ticket sales for local films by making high-quality commercial movies that appeal to wider sections of the general public. The Heirloom is its latest project teaming up young talents to make a movie from a popular genre starring fast-rising teen-idols. Terri Kwan (關穎), who starred in Turn Left, Turn Right (向左走 向右走) and Jason Chang (張大鏞), who starred in Formula 17. They will play a couple that inherits a haunted house in this horror flick.
The story develops from a group suicide that took place in the rich Yang household. The whole family was found hanged without any explanation, and the case remains unsolved. Twenty years later, distant relative James (played by Jason Chang) inherits the Yang house, and moves in with his girlfriend Yo (played by Terri Kwan). The couple invites two friends over for a house-warming party and to stay the night. This is when a series of supernatural phenomena begin to disturb the four.
As James and Yo dig deeper into the family's history, they find out that the Yang family's great fortune was made by "child ghosts," dead babies that feed on blood and can bring both great luck and doom to their hosts. The young couple discovers more and more of the mansion's dark secrets, and inevitably has to confront the unwelcome dwellers ready to bury anyone who comes too close to the truth.
The Heirloom is 24-year-old director Leste Chen's (陳正道) first feature film. Despite his youth, Chen already has an impressive portfolio of work. He has directed several music videos and his short films have gained lots of exposure at international film festivals such as the Taipei Film Festival, Tokyo International Film Festival and the Venice International Film Festival. As a young creative talent, Chen has made a perfect match with the innovative production company. And together, they have created a visually stylish and well-narrated film that should appeal local audiences.
It has been 26 years since Nicholas Gould hosted his last Issues and Opinions radio show for ICRT a recording studio on Roosevelt Road. He remembers the familiar ‘whoosh’ as the door to the soundproof room closes and recognizes the carpet, but the recording equipment is gone, with half of the space being used for storage. Gould is filled with nostalgia as he greets his guests, two financial writers who are here to discuss Taiwan’s post-COVID-19 economy for his new podcast, Taiwan Matters. Gould had been thinking of revisiting his old career for a while, but being allowed access to
The 22nd Taipei Arts Festival (臺北藝術節) opens tonight with three productions, a slightly scaled-down pandemic version that seeks to keep its tradition of big ideas, challenging programs and international connections alive and moving forward in an increasingly uncertain world. The theme of this year’s festival is “Super@#S%?” — as good a term as any when descriptives and superlatives seem not only inadequate, but somewhat irrelevant in a world where so many people cannot imagine being able to return to theaters, either as performers or audience members — they are too worried about having a job and their health. Technically, however, it is
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