"We figured that to make it relevant to today we had to alter some of the more outdated ideas that were a major aspect of the original opera," Chiou said. "We obviously had to make the heroine more independently minded, which meant changing not only the script but also the ending. In the original piece she kills herself because she feels the need to be faithful to the husband she hasn't seen in 10 years. Nobody would believe this today."
It's not just the script that has been altered in order that the production appeal to today's broader and more open-minded audiences. To bring the moralistic Yuan dynasty opera up to date, Green Ray has transformed it into part Broadway production, part situation comedy and part traditional Chinese operatic fantasy.
Along with the incorporation of a Broadway-styled musical score the actors movements are an integral part of Blame it on the Draft. The performers actions are stylized in a Beijing opera-like manner and the fight scenes have been specially choreographed so as to put more emphasis on comedic animation and subtlety rather than Hong Kong movie-like bravado.
In order to produce the visual effects needed to stage the farce, Green Ray called on award winning costume designer Chen Bo-wei (陳柏維), who, when he's not busy creating theatrical costumes for many of Taiwan's leading theater troupes is better known by his assumed name of Mr Eyeball. For Blame it on the Draft Chen has let his rampant and screwball imagination run riot.
By seamlessly combining and intertwining aspects of modern and original Yuan dynasty period clothing, Chen has created a visually stunning never-never land in which the bizarre costumes supplement the already farcical performance.
And it's not only the costumes that have been given the Mr Eyeball treatment. In order to make the play's villain look less like a Yuan dynasty hoodlum and more like a latter-day member of an organized crime syndicate Chen opted to give the play's villain a gaudy tight perm.
Working closely with Chen is set designer Sammy Wang (王世信), whose colorful and stylized production combines realism with a cartoon-like environment in which the play's hero and villain battle it out for the hand and love of Mei Ying.
"The combination of the old and the new means that the production should appeal to those who enjoy classical opera as well younger audiences for whom opera is considered old fashioned," Chiou said. "It's got something for everyone. There's a beautiful woman, there's a hero and a villain and there's love."
Performance note:
What: Green Ray Theatre's Blame it on the Draft
Where: National Theater, 21 Zhongshan S Rd, Taipei (
When: Today through Sunday. Evening performances begin at 7:30pm and afternoon matinees tomorrow and Sunday at 2:30pm.
Tickets: Tickets cost from NT$350 to NT$1,600 and are available from ERA Ticketing outlets nationwide or direct from the box office at the Chiang Kai-shek Cultural Center.
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