Before Friedrich Schiller bought his house on the Esplanade, he said to his publisher in a letter that, "I have given up all ideas of moving away from Weimar and have decided to live and die here." It was 1802. He lived there until his death at the age of 46, in 1805.
Two centuries have passed. Now his yellow town house, built in 1777, remains a unique part of the small German town of Weimar with a population of 62,000. On Schiller Street, then called the Esplanade, youngsters ride bicycles, seniors walk haltingly and tourists snap pictures.
But how can people nowadays identify his fight for freedom as poet, philosopher, historian, and dramatist? Activities of Schiller Year 2005, sponsored by the German government, are designed not only to promote Schiller's literature, but also to reconsider the relationship between Germany's younger generation and the great writer.
After 1776, great literary figures such as Johann Gottfried Herder, Christoph Martin Wieland, Johann Wolfgang von Goethe and Schiller worked in Weimar, the cradle of German classicism. The presence of the great poets and writers made Weimar the center of German cultural life.
The town, 250km southwest of Berlin, was put on Europe's cultural map by Duchess Anna Amalia, a patron of the arts and literature. She attracted many of the most eminent cultural figures in Germany to Weimar and converted the palace into a library open to the public.
Now, situated in front of the German National Theater in Weimar, the Goethe-Schiller Monument attracts tourists from all over the world.
"Most people read Schiller's works when they were at school," said Jan Brueggemeier, whose project, Schillermob is featured in the Schiller Year activities. "We design programs aiming to shorten the distance between people and the great writer. In fact, organizing the festival gives me a chance to rethink what I've ever read and then I get fresh ideas,"
Brueggemeier's partner, Daniel Ziethen, who designs street art activities for children at the festival, said that anything relating to Schiller can be used for artistic creation.
This summer many artists like Ziethen are helping young people understand Schil-ler and express their feelings artistically.
"For example, Schiller's ancient house can be drawn in creative ways by adding trendy ideas," Ziethen said.
Hanife Safak, a tour guide assigned by the Goethe Institute, said that her visit to Weimar in May with Asian fellows of the International Journalists Program refreshed her thoughts about the writer.
"I adore Schiller more the older I get, because I understand him more. I am quite interested in it and if I had time, I would go to Weimar again," Safak said.
Following the performance of The Robbers in Mannheim in 1781, Schiller was arrested and forbidden to publish any further works. He then fled Stuttgart in 1783 to Leipzig and Dresden and finally to Weimar in 1787. In 1789, he was appointed professor of history and philosophy in Jena. In 1799, he returned to Weimar, where Goethe convinced him to return to playwriting. The two writers not only built a solid friendship but also founded the Weimar Theater together, which became a leading theater of the renaissance in drama.
Nowadays, old books by Schiller are still sold in flea markets in Germany. Safak, who is studying for her PhD at the Free University of Berlin, said she once found Schiller's Plays and Drama from the year 1806, only one year after Schiller's death from a lung disorder.
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