Sat, Jul 02, 2005 - Page 16 News List

`Saint Bob the Gob' applies another Band-Aid

Bob Geldof became a musician "to get famous, to get rich and to get laid." Now, however, he is more often looked up to as a charity organizer

AP , London

Bob Geldof addresses the crowds at the Glastonbury music festival, encouraging them to support Live 8 today.

Bob Geldof makes an unlikely saint.

The rangy, foul-mouthed Irish rocker who fronted The Boomtown Rats in the 1970s is now far better known as a champion of Africa, haranguer of the powerful and organizer of star-studded charity concerts.

British newspapers once called him "Bob the Gob." Now, with just a touch of irony, he's Saint Bob.

Geldof, 53, was first anointed when he organized the 1984 Band-Aid single and the Live Aid concerts the next year, which raised millions for famine relief in Africa. Twenty years on, he's behind Live 8, a series of concerts around the world designed to press leaders of the rich G8 countries to relieve the burden of impoverished African nations.

Announcing the concerts last month, Geldof said the July 6 to July 8, G8 meeting in Scotland provided a ``unique opportunity for Britain to do something unparalleled in the world ... to tilt the world a little bit on its axis in favor of the poor.''

If Live Aid was about fund-raising, he said, Live 8 is about awareness-raising, ``not for charity but for political justice.''

In the early 1980s, Geldof was known as a talented but prickly musician, who took the Rats' name from a song by socialist folk singer Woody Guthrie but boasted that he'd gone into music ``to get famous, to get rich and to get laid.''

Then he saw a television report about famine in Ethiopia and decided he had to act. With Midge Ure of Scottish band Ultravox, Geldof wrote the song Do They Know It's Christmas? and persuaded the era's top British acts -- including Sting, U2, Boy George and Duran Duran -- to perform it under the name Band Aid.

Released before Christmas 1984, the song sold 3 million copies and inspired a US single, We Are the World.

Live Aid -- staged in London and Philadelphia in July 1985 -- raised US$80 million for famine relief and featured performances by Paul McCartney, Queen, U2 and Phil Collins, who crossed the Atlantic by supersonic Concorde to play at both shows.

For Saturday's Live 8 concerts, Geldof once again coaxed and cajoled the cream of the pop world -- including Elton John, Madonna, REM, Coldplay and a reunited Pink Floyd in London; Jay-Z, Maroon 5 and Stevie Wonder in Philadelphia; Dido in Paris and Bjork in Tokyo -- into appearing for free.

With his unruly mane of hair -- once dark, now gray -- and earthily direct manner, Geldof's passion remains strong. Yet he is a contentious figure.

Some on the left have criticized his support for fathers' rights groups and opposition to the European single currency. Many were puzzled when he said US President George W. Bush ``has actually done more than any American president for Africa.''

Nor is Live 8 universally praised. Blur's Damon Albarn criticized the lack of black artists at the shows (An all-African concert featuring musicians including Thomas Mapfumo and Salif Keita was subsequently added at the Eden Project in Cornwall, southwest England).

Others say Live 8's call for G8 leaders to double aid, cancel poor countries' debt and rework unfair trade laws may do more to reward corrupt African governments and salve liberal Western consciences than to relieve poverty.

Oasis songwriter Noel Gallagher -- not performing at Live 8 -- said he was skeptical that ``one of these guys from the G8 is on a quick 15-minute break at Gleneagles and sees Annie Lennox singing Sweet Dreams and thinks, "`She might have a point there, you know?'''

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