Following last month's outstanding DVD of the children's opera The Little Prince from Sony comes Igor Stravinsky's Le Rossignol (The Nightingale) from Virgin. The differences are many. Though containing a Chinese child in a leading role, Le Rossignol isn't really for children. Instead, it's a beautiful, indeed extraordinary animated film that's not only highly imaginative in itself, but also draws out to a marvelous extent the imaginative dimensions implicit in the music.
The story is from the Danish writer Hans Andersen, and Stravinsky's text is sung in Russian. That said, this is a very French affair - sophisticated, culturally eclectic, and exceptionally high-tech. Ten animators worked on the post-production of this 50-minute film for an entire year. The result is probably one of the most original DVDs featuring classical music ever made.
The story is set in China, and there is a rich collection of chinoiserie from beginning to end - a fisherman inside a rotating blue china bowl, opening fans that magically change color, costumed courtiers (real and mechanically duplicated), a scale-model porcelain palace both filmed for real and re-created on endless computers, a live nightingale and cellphone iPod images all happily coexist in this dazzling, surreal, dream-China world.
In addition, massed hands tap at computers, black gloves dance across the sky, a fat pink monk laughs inside a pear-shaped jar, and Chinese lanterns bob and whirl, with their tassels following rumbustiously after.
This film seems to take every technique ever used in pop music videos and blend them in a super-stylish amalgam. On numerous occasions it proves itself extra-sensitive to the music, actually using animated versions of the instruments we're hearing as well as picking up on tiny but significant details in the score. The result is a masterpiece, and if it flags slightly after the first half-hour that is small price to pay for the intricate splendors -- sometimes exquisitely beautiful, sometimes deliberately kitschy and syrupy -- that have gone before.
The enormous time it takes to create something like this is the only reason why all classical music shouldn't be subjected to similar treatment. It has the power to transform the genre from stuffy costume drama, or concerts performed by modern people in inappropriate and unnecessary formal dress (see below), back to the genuinely imaginative force the finest music was at its inception, and has the potential of becoming once again.
Director Christian Chaudet's Le Rossignol, in other words, is a DVD in a thousand. There's over an hour of bonus material on how it was made, much of it wearying, but the actual film itself is stunning almost beyond belief. The one shortcoming is that there are no Chinese subtitles.
Toscanini: The Maestro is a package containing a DVD version of RCA Red Seal's excellent 1985 film about Toscanini's life and work, plus a CD of Toscanini recordings used in the film presented at slightly greater length. What is worth having is the DVD. It includes much historical footage, and even includes a few seconds of Verdi's funeral in 1901. The maestro is glowingly remembered by several members of the NBC Orchestra that he led after leaving Italy becuause of the Fascist take-over, and the James Levine of 20 years ago adds his authority to the high estimation of Toscanini that the film espouses.
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