Kimbo's singing talent took root in his high school years at Taipei's Tam-kang High School, a religious school set up by the missionary George Leslie Mackay. Students were trained to sing psalms and choral songs every morning and to play rugby every afternoon.
"I remember all the boys who loved to sing formed quartets and competed with each other every morning," Kimbo said.
He recalled a nun named Ms Taylor, who introduced Scottish folk songs and American Southern spirituals to the boys.
"I was naturally drawn to the rhythm of blues and spirituals and was gradually influenced by these vocal styles," Kimbo said.
"Little by little, I began to understand the content of spirituals and found lots of similarities with Taiwanese Aboriginal music. The repeating patterns of the blues are very similar to some music styles in Puyuma Paiwan music.
"The lyrics of Aboriginal folk music, like spirituals, tell about suffering. But I feel there is more praise to nature in Taiwanese Aboriginal music, instead of just telling about the pain," Kimbo said.
Romanticism and spontaneity seem to always drive Kimbo, making him a pioneer in many other businesses outside his folk music and social-movement activism.
He and friends opened Taiwan's first teppanyaki restaurant in Taipei in 1970. He was also once a partner in Taiwan's leading toy business. But these businesses were all flash-in-the-pan affairs, like many of the short-lived protest campaigns.
His free-spirited style demonstrates Kimbo's talent, but it is also sometimes a source of trouble for his producers. For instance, he never sings the same lyrics twice. Two years ago, it took him two hours to shoot a 20-second music video clip because he could not sing the same lyrics in front of the camera.
"I've sung that song tens of thousands of times. None of the times have I sung the same lyrics," he said.
Now Kimbo has decided to redirect his focus toward music, his one passion.
"I decided that this time I would lay down everything else and start to treat my music, especially Aboriginal music, with respect," Kimbo said.
As Time Flashes is meant to be a summing-up of his past musical career so that he can begin pursuing his new musical passions.
"I want to systematically explore the heritage of Aboriginal music, especially the abundant use in Aboriginal music of words like ho hai yan which don't actually have any meaning. I want to explore the beauty of these words and blend their usage into my own music,"
He will also work more closely with young Aboriginal musicians and music producers to help develop new talent.
"There are so many beautiful voices among the younger generation Aboriginal musicians. Unlike me. Only my heart still rocks," Kimbo said with a laugh.
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