ceremonies clutching silverware.
In 2000 he won a Golden Horse Award for the Best Original Score and last year was named Best Taiwanese Male Singer at the Golden Melody Awards. The critics may have lauded him for his work, but Zhang's hybrid brand of folk/rock continues to lurk somewhere on the never-never-land peripheries of the mainstream and underground scenes.
As far as the record-buying public is concerned The Best Of (
The double CD set, which features a studio album of "new" material and a live CD, differs somewhat from his solo 2002 release. Unlike his concept-like debut album, on which Zhang painted a moody musical portrait of Taiwan, The Best Of sees Zhang employing a backing band, incorporating more blues/rock riffs into his earthy brand of folk music and veering away from the morose.
Listeners familiar with Zhang will notice the difference from the get-go. The album's opener, The Best Of, is a tune that sees Zhang shying away from standard acoustic folk and instead branching out into the realms anthem-like rock music.
Along with mixing it up with rock and blues, Zhang also takes the time to get mildly political on his new album, with the gritty Shit! Taiwan is Repressive (今嘛的台灣是按準).
While the songs on The Best Of are all well-produced and well-written, the material is such a far cry from his gritty down-to-earth Taiwanese folk of old that fans might not take too kindly to Zhang's new found musical inventiveness.
Phil Chang (張宇)
The Good in Man: New & Best OF (男人的好: 新歌+精選)
EMI
Phil Chang (
Since debuting over a decade ago with his Fast Walking (
Fans of Chang's might find the title of his latest album a bit familiar and they'd be right, as instead of penning a new name he simply lifted a song from his 1997 hit album, The Whole of August (
The whopping 31-track double album features a smorgasbord of Chang's hits, misses and so-so tunes. Along with getting a whopping earful of Chang, the CD set also comes with a free disk featuring videos for several of his most noteworthy numbers.
Packed with Mando-pop standards, Chang's The Good in Man is not an album for those looking for something fresh. The tunes are same-same, the rhythms predictable and, as ever, Chang's voice gets pretty monotonous after four or five songs.



