There was a rare winter typhoon blowing across the island, but it did not stop the 41st Golden Horse Awards from running in Taichung yesterday on what turned out to be a sunny day.
Kekexili (
PHOTO: AGENCIES
The Best Actress award went to Yang Kuei-mei (
PHOTO: AGENCIES
The outcome of the tight battle between Andy Lau (
The Best Supporting Actor was awarded to Daniel Wu (
Bai Ling (
There was also keen competition in the Best Director award category but Johnnie To (
The joint-winner of Best New Performer was Tony Yang Yu-Nin (
The Lifetime Achievement award this year went to 87-year-old A Pi Po (
Earlier in the day some 2,000 Taichung residents gathered on the sides of the red carpet -- the so-called "Star Boulevard" -- to star gaze. Hundreds of others crammed by the window of the nearby McDonald's, trying to spot the stars.
Celebrities included John Woo (
Despite the low attendance by actual nominees, the number of films competing for the Golden Horse Awards reached a new high this year. A total of 110 films (including shorts) were nominated.
"Lack of innovation in styles and stories is Hong Kong's weakness this year," one jury member said, but agreed that it was the movie powerhouse in the region.
In Taiwan, where humanism is still the leading filmmaking trend among directors, there are new talents and new spirits among the younger generation, said the jury member, who did not want to be named.
Her opinion was backed up by the number of prizes that went to Hong Kong films and actors, as well as local award-winning Taiwanese films such as Formula 17 (十七歲的天空) and Splendid Float (艷光四射歌舞團).
The latter picked up the Best Make Up and Costume Design award for Jean Chen (
Winners at the 41st Golden Horse Awards
*Best Picture
Kekexili (可可西里)
*Best Short Film
The Magical Washing Machine (神奇洗衣機)
*Best Documentary
Chronicle of Sea Nan-Fan-Ao (南方澳海洋紀事)
*Best Animation
McDull, Prince de la Bun (麥兜, 菠蘿油王子)
*Best Director
Johnnie To (杜琪鋒) for Breaking News (大事件)
*Best Leading Actor
Andy Lau (劉德華)
*Best Leading Actress
Yang Kuei-mei (楊貴媚)
*Best Supporting Actor
Daniel Wu (吳彥祖)
*Best Supporting Actress
Bai Ling (白靈)
*Best New Performer
Hong Hao-Xuan (洪顥瑄) and Tony Yang Yu-Nin (楊佑寧)
*Best Original Screenplay
Yau Nai Hoi (游乃海), Yip Tin Shing (葉天成), Au Kin Yee (歐健兒) for Throw Down (柔道龍虎榜)
*Best Screenplay Adaptation
Lin Cheng Sheng (林正盛) for The Moon Also Rises (月光下我記得)
*Best Cinematography
Cao Yu (曹郁) for Kekexili (可可西里)
*Best Visual Effects
Victor Wong (黃宏達), Brian Ho (何志輝) for New Police Story (新警察故事)
*Best Art Direction
William Chang (張叔平) and Yau Wai Ming (邱偉明) for 2046
*Best Make Up and Costume Design
Jean Chen (陳淑津), Lai Wei-Joung (賴蔚炅) for Splendid Float (艷光四射歌舞團)
*Best Action Choreography
Lee Chung Chi (李志忠), Jo Stunt Team (成家班) for New Police Story (新警察故事)
*Best Original Film Score
Shigeru Umebayashi, Peer Raben for 2046
*Best Original Film Song
Splendid Float (艷光四射歌舞團)
*Best Editing
David Richardson for Breaking News (大事件)
*Best Sound Effects
Cao Yuan-Fong (曹源峰) for The Passage (經過)
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
Peter Brighton was amazed when he found the giant jackfruit. He had been watching it grow on his farm in far north Queensland, and when it came time to pick it from the tree, it was so heavy it needed two people to do the job. “I was surprised when we cut it off and felt how heavy it was,” he says. “I grabbed it and my wife cut it — couldn’t do it by myself, it took two of us.” Weighing in at 45 kilograms, it is the heaviest jackfruit that Brighton has ever grown on his tropical fruit farm, located