Five Taiwanese feature films made their debuts at the 35th India International Film Festival in Goa, on the coast of western India, an official from the Government Information Office (GIO) has confirmed.
It is the first time that Taiwan-produced movies have been screened in an Indian film festival and although they are not in competition. They are being screened as part of the Fifth Films in Country Focus feature, which is designed to promote the understanding of different countries through their films.
The five Taiwanese films chosen by the GIO to play at Goa are all realistic depictions of local life.
The first film was screened Tuesday, Formula-17, by Chen Ying-jung. Simon Hsieh, the director of the Information Division of the Taipei Economic and Cultural Center in New Delhi, gave a speech about the overall view of Taiwan's film industry before the screening.
Taiwan was the only country whose films are being shown in this year's country focus feature.
Noting that India has the world's largest movie audience, the GIO official said Taiwan film makers are trying hard to make inroads into the India market and that hopefully, the Goa festival will set them off on the right foot.
Sundance reveals all
The Sundance Film Festival, the premier US showcase for independent cinema, named the films that will compete at its festival in January, including documentaries about energy company Enron and Peru's fugitive president, Alberto Fujimori.
Festival director Geoffrey Gilmore said the program contained some of the best films Sundance had ever shown and added that for the first time the festival would feature contests for best foreign dramas and documentaries.
Films in the best dramatic film competition include How the Garcia Girls Spent Their Summer, about three generations of Mexican-American women, At
Loggerheads about estranged families in North Carolina and Forty Shades of Blue, which tells of a Russian woman living in Memphis, Tennessee.
Documentaries include Enron: Rise and Fall about the scandal that rocked the Houston energy company, The Fall of Fujimori, about the Peruvian president who beat a terrorist movement only to become a fugitive himself, and Murderball about quadriplegics who play full-contact rugby.
As usual, Sundance films include the truly unusual. This year has Thumbsucker, about a boy who "attempts to break free of his addiction to his thumb."
Was he or wasn't she?
In ancient Greece it was no sin for an artist to bend accepted rules or facts for the sake of rhyme, meter or plot.
But many modern Greeks fail to display the same magnanimity when it comes to their ancestors' history. A group of Greek lawyers has asked an Athens court to censor Alexander the Great, US director Oliver Stone's three-hour epic about the 4 BC Macedonian King, before it opens in Greece today. The plaintiffs want the court to ban scenes suggesting that Alexander, one of history's greatest conquerors, was bisexual.
Modern Greek society stigmatizes same-sex relations. The country's influential Orthodox church has officially declared homosexuality "a flaw." Average Greeks reject notions that such relations were common among their ancestors.
Two years ago, nationalist hecklers in the northern city of Salonica shouted down Australian historian Kate Mortensen after she claimed in a congress there that Alexander the Great's father Philipp was assassinated by his male lover.
"They wouldn't have dared make a movie with such (homosexual) reproaches about Moses or Solomon," said Yiorgos Karatzaferis, president and European Parliament member for far-right, xenophobic party LAOS.
"Who's afraid of Stone's Alexander?," conservative daily Kathimerini asked on the front page of its weekend supplement, summing up the anxiety with which Greeks anticipated the film.
Modern Greeks are extremely sensitive to what foreigners say or think about them. History is a key ingredient of their national identity and fears abound that Stone has depicted their most revered national hero as a blood-thirsty, barbarian gay of foreign descent.
"Homosexual relations were frequent in antiquity ... we didn't try to present Alexander as a Californian gay," said Robin Lane Fox, a British historian who served as Stone's history advisor, in an interview with Kathimerini.
"Alexander was Greek," added the 55-year old academic, who wrote a celebrated book on the King of Macedon back in 1973.
This drew nationalist ire in Greece's northern neighbor, Macedonia, much of whose Slav and Albanian population claim Alexander as part of their own national heritage.
Greece refuses to recognize the former Yugoslav republic as "Macedonia" for fear that the name implies territorial claims on the adjacent, same-name northern Greek province, where the ruins of ancient Macedon's cities and shrines are located.
Barrymore no more
Acting dynasty scion John Barrymore, the father of Hollywood darling Drew Barrymore, has died at the age of 72, his daughter's spokesman announced on Tuesday.
The troubled actor, who had faced alcohol and drug addictions, died in Los Angeles on Monday, representatives said, but no cause of death was immediately available.
"He was a cool cat," Drew Barrymore said in a statement released by her publicist. "Please smile when you think of him."
John Barrymore, the son of a legendary golden-age star also called John Barrymore and nephew of Lionel and Ethel Barrymore, entered the family business in the 1950s but never enjoyed the success of his famous forebears or daughter.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Approaching her mid-30s, Xiong Yidan reckons that most of her friends are on to their second or even third babies. But Xiong has more than a dozen. There is Lucky, the street dog from Bangkok who jumped into a taxi with her and never left. There is Sophie and Ben, sibling geese, who honk from morning to night. Boop and Pan, both goats, are romantically involved. Dumpling the hedgehog enjoys a belly rub from time to time. The list goes on. Xiong nurtures her brood from her 8,000 square meter farm in Chiang Dao, a mountainous district in northern Thailand’s
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist