Tue, Jan 13, 2004 - Page 16 News List

New film exposes China's brutal past

`Morning Sun' looks at theturmoil of the Cultural Revolution

AFP , Hong Kong

An undated picture from the documentary film Morning Sun shows Huang Xinting, the commander of the Chengdu Military Region, being forced to bow while his arms are twisted and bent back at an impossible angle -- called ``doing the jet plane.'' The film by Carma Hinton, 53, the Chinese-born daughter of an American Maoist and co-directed with her husband Richard Gordon and Australian academic Geremie Barme, shows the early decades of communist rule.

PHOTO: AFP

Even after two and a half decades of reform and opening to the outside world, Chinese rulers are not ready to discuss the chaos of the Cultural Revolution (1966 to 1976), when tens of millions of families suffered tragedies.

"Still in China there is very little chance of a thorough examination of that period," says Carma Hinton, who was studying in a Chinese school when Mao Zedong (毛澤東) urged bands of "red guards" drawn from the ranks of students and disaffected workers to "bombard the headquarters."

"Mao had a very delusional idea about his prestige ... in the way he would be able to control the situation," she said at the Foreign Correspondents Club of Hong Kong after a screening of Morning Sun, a film on those tumultuous times.

"Things went out of control, he couldn't follow the plans that he had envisioned and he had to call the army to clear up the situation."

Mao, whose 110th birthday was marked last month, died in 1976 and two years later Deng Xiaoping (鄧小平) usurped all power and ushered in reforms that have given China enviable rates of economic growth.

But politically, China is unready to open up, said Hinton.

"The South African model of coming out with the truth and forgiving would be a healthy process for China but for many cultural as well as political reasons, China is not ready for that," she said.

"Exposure to the atrocities of the Cultural Revolution perhaps in some ways will lead to revenge and another cycle of atrocities. Within the Cultural Revolution itself, the victims and victimizers weren't clear-cut. There's a cycle of victim turned victimizer, victimizer turned victim.

"That cycle has already spun several times even within the Cultural Revolution period. So it's a very difficult historical burden and to this day there is no fair, sincere debate," said Hinton, whose film was co-directed with her husband Richard Gordon and Australian academic Geremie Barme.

Her remarks were echoed by Wu Guoguang of the Chinese University of Hong Kong, who said China's current leadership under President Hu Jintao (胡錦濤), who took office last year, had yet to show any signs of readiness for political change.

"So far I don't see any relaxation from the Hu leadership from the repression over free and critical discussions of Mao and the CR [Cultural Revolution]," Wu said.

"Rather, we saw that the new leadership made great efforts to praise Mao and to justify their status as Mao's successors," said Wu.

"This utilization of Mao in today's Chinese politics may help the new leaders to consolidate their

positions in a power struggle, but it is dangerous in terms of managing state-society relations.

"If the leadership continues to refuse political reform but only turns to Mao to find a way of governance, one day they will find that Mao is actually used by ordinary people to legitimize revolution and rebellion from the bottom up," said Wu.

Hinton too warned of the danger of popular revolt in China.

"We point out in the film that if a system doesn't allow legitimate protest and has no channel for the underclass to participate in the prosperity and participate in the political process, Mao's calls for the right to rebel becomes a real possibility for those types of people," Hinton said.

"Right now, with huge economic gaps and many workers losing their jobs and so on, some people think that during the Cultural Revolution at least, `I could voice my criticism,'" she said.

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