Giving voice to Taiwan's working class

Best known for its impromptu performances at labor demonstrations and for squatting at factories faced with closure, The Black Hand Nakasi (黑手那卡西) band's recent acceptance of a Taipei Cultural Award (台北市文化獎) certainly doesn't mean the group is going to become urbane and change it class-struggling ways.

Far from it. Its members will continue to take their message to the streets and stand up for workers' rights. Whether they be prostitutes or telecom and transport workers, and no matter under what circumstances, Black Hand Nakasi will continue to fight the good fight. And, according to band founder, Broadway Chen (陳柏偉), what better way to continue than with a city government grant.

"The city gives money to artists to create what are, and I don't think I'm being rude when I say it, predominantly pieces of meaningless rubbish. So it was about time it gave funds to someone who was going to do something worthwhile with them," explained Chen.

"The cash prize of NT$200,000, although a pretty paltry amount in the big scheme of things, will certainly go some way to helping us to promote the plight of the Taiwanese working class," Chen said.

Formed by a handful of members of the Informational Center of Labor Education (台灣勞工教育資 發展中心) in the early 1990s, the group has since become a key player in the nation's labor movement. None of its nine members are full-time musicians and all hold day jobs within the public sector.

"I first took an interest in workers' rights in the early 90s. Taiwan's fledgling labor unions were pretty unorganized and found it hard to get their messages across," recalled Chen, who works for House of Migrant Empowerment, an organization that helps Taiwan's foreign workers.

"It was the Keelung Bus Company strike in 1992 that tipped the balance for me, though. After they sacked all the workers and the government just sat back and allowed it to happen I figured that somebody had to stand up and tell the workers' story."

Setting out to give voice to the labor unions and support them at demonstrations hasn't been an easy task. Over the years the group has been involved in some rather ugly incidents. And while the group's members have built up a good relations with several police forces, Black Hand Nakasi has managed to attract the ire of others.

"A couple of years ago we were squatting and holding

performances in a factory in protest of its impending closure when a group of private security guards appeared with five or six dogs," recalled Chen. "The security guys let the dogs go at us. They [the dogs] were barking at and biting whatever they could until we had all left the building."

Although initially making a name for itself by organizing benefit concerts and performing at labor rallies and demonstrations, the band has recently taken to holding workshops at which its members teach laid-off workers how to express themselves and deal with the traumas of unemployment through music.

"A lot of the people that come are in their 50s, and, having worked all their lives, it can be very traumatic to find themselves unemployed for the first time," explained guitarist/bassist Chuang Yu-lin (莊育麟). "Learning the guitar might seem insignificant, but by teaching these guys something new it gives them an outlet for their frustration."

The number of those currently turning up at the weekly meetings is lower than the group initially anticipated, but the workshops have proven a huge success. According to Chuang, he has managed to get a group of elderly unemployed men so proficient on the guitar that they now hold regular jam sessions on their own and also helped others to rid themselves of the shame they feel when faced with unemployment.