Always the invincible hero, energetic and playful, Jackie Chan (
Recently, however, rumors have been circulating that he has contracted cancer, hence his reluctance to take comic roles in Hollywood movies. Chan talked frankly with the media on his visit to Taipei earlier this week.
PHOTO: LEE KAI-MING, TAIPEI TIMES
Q: There was a rumor saying you had throat cancer? What happened?
Jackie Chan: Yesterday I went to NTU Hospital for a check-up. The doctor found a tubercule and I had a paracentesis test. The test result was negative. So I'm fine. I once again tell you that my health is OK, no problem. But to tell the truth, I was really scared doing the test. I grabbed the nurse's hand so hard because of fear. I guess I hurt her.
Q: How did it feel to kiss Claire Forlani in ?`The Medallion?' You rarely do such romantic scenes.
Chan: We are lovers in the film. So there was a kissing scene. When we shot that scene, I was just thinking whether it should be a long kiss or a quick one, should I open my mouth, but she [Forlani] just held my arms and gave me a French kiss. After the take, she was calm and natural but my face was all red. I'm really not good at romantic scenes. There was another scene when I was dead, lying naked in the morgue. Claire needed to cry over my body and touch me. But something was tickling me and I laughed. And we had to do that take again. It took us several times to do that take and I felt very embarrassed.
PHOTO COURTESY OF UIP
Q: The film took place in a castle in Dublin. Did you drink a lot of Guinness beer?
Chan: I had quite a few pints of Guinness. I'm not a good drinker but I act like it. When drinking, I have the word "brave" on my forehead and the word "dead" written on my back!
Q: After working in Hollywood all these years, how is your English now?
Chan: At the beginning it was very difficult. Now I'm doing fine. My English is Jackie Chan English. I may have some grammar mistakes. But if you understand it, good. If not, sorry!.
Q: The new film has adapted lots of special effects, which are seldom seen in Jackie Chan movies. Do you like them?
Chan: It's a very new experience for me. My films have been famous for real action. So for me, using wires to hang in the air was new to me. I basically just let the English stuntman direct me as to what to do. But once the steel wire on my chest broke. It hit my face and I just saw black before my eyes. When I touched my face, it was full of blood. It's lucky that my eyes were not hurt.
Q: What differences are there working in a Hollywood studio?
Chan: When you work there, you are the foreigner, so the whole process is hard. Our way of shooting is very fast and you feel they are so slow, that sometimes you think it's dumb. Making films in America you don't feel a sense of superiority, though, because they always try to control you. If you need to set up lighting equipment in a corner about 5m high, they will hire a man with an elevator to slowy lift this person to the point to set up the light. But if it's in Hong Kong, we just get a rope and climb up.
Hollywood is a very big market. The box office revenue in one day is higher than that for one year in Hong Kong. So you still want to take on new challenges there. You can learn a lot of things. I have been fighting to get into Hollywood. Twenty years ago my salary for a movie was HK$4.5 million (US$600,000) which was top among all Asian actors. But when I went to Hollywood for the first time, [making Cannonball Run II in 1984], I found out that my acting partner Burt Reynolds's salary was US$5 million. I realized that the world outside was very different. Who'd have thought that in 20 years my pay for a movie would become US$20 million plus bonuses? I've never thought I would have my hands printed in front of the Chinese Theater in Los Angeles. I think God has been very kind to me.
Q: If you die and were resurrected, as happens in your latest film, would you choose to be an actor again?
Chan: Yes, definitely. It's hard to imagine not doing films. Wherever I go, I'm always looking for shooting locations. Like this hotel I stayed in yesterday. I was looking outside, thinking if I could jump and enter this large window. And when I was in Amsterdam, I saw this building with an inclined angle, so I immediately told my producer to check this location for shooting. You know my films are about action in all those interesting locations. You have to make use of the environment in designing the action scenes.
Q: What are your next film projects?
Chan: I've finished shooting Around the World in 80 Days [with English comedian Steve Coogan]. I will be talking to Stanley Tong (
Q: The 40th Golden Horse Awards plans to invite previous winners to "come home" and join the ceremony, including you and your wife. Will you bring her back to Taiwan again?
Chan: I will come, but she won't. Nobody can persuade her. Ai-ya! She has stopped going to these kinds of events so you can stop asking me. There will be so many people, cameras and media. She would be scared. I don't think she would come -- unless there was an award for her.
In late October of 1873 the government of Japan decided against sending a military expedition to Korea to force that nation to open trade relations. Across the government supporters of the expedition resigned immediately. The spectacle of revolt by disaffected samurai began to loom over Japanese politics. In January of 1874 disaffected samurai attacked a senior minister in Tokyo. A month later, a group of pro-Korea expedition and anti-foreign elements from Saga prefecture in Kyushu revolted, driven in part by high food prices stemming from poor harvests. Their leader, according to Edward Drea’s classic Japan’s Imperial Army, was a samurai
Located down a sideroad in old Wanhua District (萬華區), Waley Art (水谷藝術) has an established reputation for curating some of the more provocative indie art exhibitions in Taipei. And this month is no exception. Beyond the innocuous facade of a shophouse, the full three stories of the gallery space (including the basement) have been taken over by photographs, installation videos and abstract images courtesy of two creatives who hail from the opposite ends of the earth, Taiwan’s Hsu Yi-ting (許懿婷) and Germany’s Benjamin Janzen. “In 2019, I had an art residency in Europe,” Hsu says. “I met Benjamin in the lobby
April 22 to April 28 The true identity of the mastermind behind the Demon Gang (魔鬼黨) was undoubtedly on the minds of countless schoolchildren in late 1958. In the days leading up to the big reveal, more than 10,000 guesses were sent to Ta Hwa Publishing Co (大華文化社) for a chance to win prizes. The smash success of the comic series Great Battle Against the Demon Gang (大戰魔鬼黨) came as a surprise to author Yeh Hung-chia (葉宏甲), who had long given up on his dream after being jailed for 10 months in 1947 over political cartoons. Protagonist
A fossil jawbone found by a British girl and her father on a beach in Somerset, England belongs to a gigantic marine reptile dating to 202 million years ago that appears to have been among the largest animals ever on Earth. Researchers said on Wednesday the bone, called a surangular, was from a type of ocean-going reptile called an ichthyosaur. Based on its dimensions compared to the same bone in closely related ichthyosaurs, the researchers estimated that the Triassic Period creature, which they named Ichthyotitan severnensis, was between 22-26 meters long. That would make it perhaps the largest-known marine reptile and would