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Published on Taipei Times http://www.taipeitimes.com/News/feat/archives/2003/08/15/2003063883 `A Tale of Two Sisters' puts a spin on traditional horror Director Kim Ji-woon reaffirms his position as a major Asian director with this successful venture into the horror genre
By Yu Sen-lun
Director Kim Ji-woon was introduced to Taiwanese audience through his slightly violent comedy, The Foul King (2000), about a frustrated office worker who reveals a violent part of his personality through wrestling. Kim made his second appearance in Taiwan in the three-segment film Three (2002), a Korea-Thai-Hong Kong co-production. Kim directed the first segment Memory. Those who found his previous efforts less than impressive, will be surprised by Kim's latest work, A Tale of Two Sisters. Like Memory and Three, Two Sisters seeks to create a macabre and mysterious atmosphere. The narrative constantly plays mind games, and their are plenty of the usual bag of horror tricks. But this time, the story is richer and much less predictable. Even when you think you've solved the puzzle, new clues appear that entirely change the direction of the story.
As the two sisters try to unravel the truth of their mother's death, the house becomes haunted by ghosts. Images such as floods of blood and a dead body wrapped in thick white cloth, keep rising on the screen. But you never know if these are hallucinations or real happenings. And who is the real ghost? The mother? The step-mother? Or the two sisters?
For Kim, what is really horrifying is some memory that you want to forget but really cannot get rid off. Bad memories follow the main characters in the film like ghosts. "That is the point I wanted to make," he said. Another plus is the eerie atmosphere created by the film's outstanding art design. The Korean title means "Roses and Lotuses," a reference to the names of the two girls. The walls of the house are decorated with complex floral patterns, which look classically graceful but also mysterious. On the other hand, the two girls wear simple, monochrome dresses. The lighting and make-up intensify the paleness of all the three women, making them both austere and fragile.
The result is a solid track record for this film. In Korea, the film sets a new box office record, taking 500 million won (US$424,126) in its first weekend. Remake rights have been purchased by DreamWorks for US$1 million.
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