In 1998, a little known Canadian musician by the name of Matthew Lien arrived in Taiwan to record sounds of nature for an upcoming album.
Capturing the sound of rain as it poured into the streets of Hualien, the trickle of mountain streams and rivers ambling through scenic east-coast woodland areas and the wind as it lashed the cliff-tops of Penghu were all on the new-age artist's recording agenda.
After a week of wading through rivers and hanging precariously from cliffs, Lien returned to his native Whitehorse, the capital city of the Yukon, and began the lengthy process of editing the sounds and blending them with his piano-driven new-age/world music harmonies.
The result was an album titled Voyage to Paradise. Released in mid-1999, the album not only occupied the Taiwan international charts for over a dozen weeks, it also became the first time an album by a foreign recording artist was nominated for Best Album of the Year at the annual Golden Melody Awards.
The huge success of Voyage to Paradise shot Lien to almost superstar status in Taiwan.
"It's gotten to a point now that when people ask me how many times I've been to Taiwan I feel good that I don't know. I've simply lost count," Lien said in an interview with Taipei Times. "When I come here now and the whole superstar thing is happening I feel a lot more comfortable with it. A couple of years ago I'd have trouble hopping on a train to Ilan. I'd feel awkward that so many people would recognize me, and no one, including myself would know what to say."
While the phenomenal success enjoyed by Lien's Voyage to Paradise album appeared hard to beat, his 2000 album, Touching the Earth, was greeted with equal gusto by Lien's ever-increasing local fan base.
Within two days of hitting record stores the album had topped the international charts, entering ahead of new releases by David Bowie, Sting, Celine Dion and even Eric Clapton.
The album remained in the Taiwan International Top 20 for over 11 weeks following its release and continues to be one of the new-age musician's best-selling records in Taiwan.
"I think that because I'm not a pop artist, the material I produce isn't reliant on fashions and fads," continues Lien. "The material I produce has a depth beyond pop music, so the people who are buying it are doing it for deeper reasons. Which means that people continue to listen to my music regardless of passing trends."
Lien's success in Taiwan is not limited solely to record sales, however. His concerts have become legendary. Regardless of whenever or wherever the bearded new-age artist appears his concerts are guaranteed sell-outs.
When he returned to Taiwan shortly after the devastating 921 Earthquake, his one-off "Rebuilding Formosa" concert attracted over 30,000 and helped raise well over NT$600,000 in earthquake relief funds.
Last year Lien once again found himself performing to massive crowds in Taiwan. Upwards of 20,000 braved torrential rain and thousands more tuned into to a live TV broadcast to catch Lien headlining the 2000 Earth Day celebrations with a 25-piece ensemble in the plaza of Taipei's Chiang Kai-shek Memorial Hall.
For his up-coming performances, however, Lien is taking his show indoors to some of the nation's major concert halls.
"There is something appealing to me about performing outdoors to a huge mass of people under the sky with the wind in your hair," Lien said. "But performing indoors allows you to be more intimate with your audience ... all eyes are focused on you and what you are doing rather than the surroundings. And of course, there's no need to crank the sound up so the actual sound is much sharper and clearer when performing indoors."
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