Over the past few weeks, Taiwan's paparazzi has been turning its focus to teen idols and other singing megastars to begin the hype around the annual music industry extravaganza, the Golden Melody Awards, set to take place tomorrow at 8pm.
Foremost among topics has been the stars' anticipated dress on the big day. Taiwanese singer Showlen Maya (
PHOTO: LIBERTY TIMES
Taiwan's Golden Melody recognizes music industry success and bathes the stars in a glamorous light that's frosted with money. The pool of talent it draws from includes singers, songwriters and producers from Taiwan, Hong Kong, Singapore and even in the case of China Dolls (
PHOTO: LIBERTY TIMES
But for many in Taiwan's music industry, especially those who pride themselves as musicians and creative types, the whole institution of the awards ceremony exists as an irking, aggravating, creeping-under-your-skin sort of affirmation of a status quo they don't like. The gripe is that awards often go to music that is unoriginal and to artists who are molded to popular tastes.
Up-and-coming bands, like MC Hotdog, Chthonic (
PHOTO: LIBERTY TIMES
"The music [recognized at the Golden Melodies] is a product," said Freddy (
PHOTO: LIBERTY TIMES
MC Hotdog recently released an album with one track that heavily disparages female pop singers and former Golden Melody participants like Coco Lee (李玟), Yuki (徐懷鈺) and Jolin Tsai (蔡依林), saying that they can do certain unprintable things to certain parts of his anatomy. In a recent interview, Hotdog was also quoted as saying that David Tao (陶吉吉), a producer up for an award this year and the generally recognized inventor of R&B in Taiwan, "has ripped off some songs very obviously."
Members of Sticky Rice, a wacky punk-funk ensemble that climbed onto local pop charts after years of playing basement clubs, have also criticized the pop music industry for "copying" music rather than writing it.
PHOTO: LIBERTY TIMES
The sentiments of Taiwan indie rock, however, are perhaps summed up best by Ko Ren-jian (
PHOTO: LIBERTY TIMES
Both Ko and Freddy are worried that their criticisms will not be received, however, because people will write them off as bitter, unsuccessful outsiders.
Their lack of success, however, is only relative. While these bands can't claim gargantuan sales totals like Faye Wong, who sold 170,000 CDs in Taiwan last year, they have made waves. MC Hotdog shot up to number one on Tower Record's sales charts earlier this month. Chthonic recently released its third CD based on respectable sales of 10,000 copies of its second album, and more impressively, last year became the first Taiwan band to ever attend Japan's Fuji Rock festival, where they played alongside the likes of the Beastie Boys and Sonic Youth. This year, L.T.K. has released its third CD and may follow Chthonic's footsteps, becoming Taiwan's second representative to Fuji Rock.
PHOTO: LIBERTY TIMES
Yet while Taiwan's underground rockers quietly seethe, local pop performers repeatedly expressed some mild resentment against the "amateurs" who took several awards at last year's Golden Melody Awards. Most of these "amateurs" were either from small record labels or aboriginal Taiwanese, like Chen Chian-nien (
PHOTO: LIBERTY TIMES
As a backlash, this year's awards have swung away from independent labels toward the giants of the industry: EMI, Sony Music, BMG, Warner, Universal and Rock Records. In late March and one week before Golden Melody Nominations were released, a source at Taiwan's Government Information Office (GIO) was even quoted in the China Times as saying that the major labels would be happy with this year's results.
The GIO is the major sponsor behind the Golden Melodies, responsible for choosing 15 of 18 judges in the pop music category and all nine judges in the traditional music category. The other three judges for pop music are supplied by MTV.
Freddy countered the charges of amateurism, saying the so-called amateurs are bands that play music all the time and that the so-called professionals "spend all their time on MTV talking about how they bought some new dog or a sports car, and half the time they copy their music."
This year's Golden Melody Awards will be held for the first time in Kaohsiung. The venue is the Kaohsiung City Cultural Center, which will be done up like a Las Vegas casino with a waterfall somewhere on stage.
ETTV won this year's broadcast rights away from TVBS in open bidding through the GIO. TVBS is not going to be left out in the cold completely, however. They are putting on their own free concert tonight in Taipei, featuring Wu Bai (伍佰), Harlem Yu (
As for the counterculture, Freddy says he will not attend the TVBS concert and that he will probably not watch the Golden Melody Awards on television (he's busy organizing a July concert involving Megadeath, Yellow Machine Gun and several other foreign acts). But he might read about them the next day in the newspaper. And even though he feels that the awards "suck" and "are a loss of face," he admits, "at the same time, you can't deny them because they have a lot of influence."
Nominees List:
Best album
Hsinsuan de Langman (
Fable (
Karen Mok's 12th Floor (
My Desired Happiness (
Jay (
Best video
Hard to get good weather (
Colorful Hsimenting (
Courage (
Taikwando (
Still Lonely (
Best male singer
Adia (
William So (
Yuan Wei Jen (
Lee-hom Wang (
Harlem Yu (
Best female singer
Na Ying (
Faye Wong (
Karen Mok (
A-mei (
Sun Yan-zi (
Best band
Mayday (
Hsinbaodao Kangledui (新寶島康樂隊)
Sticky Rice (
Best singing group
Beiyuan Shanmao (
WalkieTalkie (
China Dolls (
S.B.D.W.
Best new artist
Freya (
Penny (
Fan Fan (
Sun Yan-zi (
Jay Chou (
A few weeks ago I found myself at a Family Mart talking with the morning shift worker there, who has become my coffee guy. Both of us were in a funk over the “unseasonable” warm weather, a state of mind known as “solastalgia” — distress produced by environmental change. In fact, the weather was not that out of the ordinary in boiling Central Taiwan, and likely cooler than the temperatures we will experience in the near-future. According to the Taiwan Adaptation Platform, between 1957 and 2006, summer lengthened by 27.8 days, while winter shrunk by 29.7 days. Winter is not
Taiwan’s post-World War II architecture, “practical, cheap and temporary,” not to mention “rather forgettable.” This was a characterization recently given by Taiwan-based historian John Ross on his Formosa Files podcast. Yet the 1960s and 1970s were, in fact, the period of Taiwan’s foundational building boom, which, to a great extent, defined the look of Taiwan’s cities, determining the way denizens live today. During this period, functionalist concrete blocks and Chinese nostalgia gave way to new interpretations of modernism, large planned communities and high-rise skyscrapers. It is currently the subject of a new exhibition at the Taipei Fine Arts Museum, Modern
March 25 to March 31 A 56-year-old Wu Li Yu-ke (吳李玉哥) was straightening out her artist son’s piles of drawings when she inadvertently flipped one over, revealing the blank backside of the paper. Absent-mindedly, she picked up a pencil and recalled how she used to sketch embroidery designs for her clothing business. Without clients and budget or labor constraints to worry about, Wu Li drew freely whatever image came to her mind. With much more free time now that her son had found a job, she found herself missing her home village in China, where she
In recent years, Slovakia has been seen as a highly democratic and Western-oriented Central European country. This image was reinforced by the election of the country’s first female president in 2019, efforts to provide extensive assistance to Ukraine and the strengthening of relations with Taiwan, all of which strengthened Slovakia’s position within the European Union. However, the latest developments in the country suggest that the situation is changing rapidly. As such, the presidential elections to be held on March 23 will be an indicator of whether Slovakia remains in the Western sphere of influence or moves eastward, notably towards Russia and